Posts Tagged ‘novels’

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FESTIVAL OF THE FLESH

Plebs was bloody. Riders was bloodier. The Sleep was monstrous and Undead Fleshcrave: The Zombie Trigger was an undead splatterfest.

And Carnival of Chaos was just the beginning of a new venture into bloodshed and brutality.

However, the culmination of that new venture, Festival of the Flesh, makes all of those look somewhat tame in comparison.

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I meant to post about this a little earlier, but inexplicable internet issues resulted in me being offline for a couple of days while my internet provider hustled to find out why their so-called fabulous service was suddenly absolute shit, but in any case, that’s neither here nor there.

If you’ve been playing along at home you’ll know that JEA’s Project 26 has been steadily rolling along, unleashing a series of books every few weeks. Project 26 of course is twenty six books in total, one for each letter of the alphabet, all dropping in completely random order. Among these was Carnival of Chaos (which I’ve rambled on about a little in previous blog posts) emerging on the 6th of October, and introducing folks to an octet of disgruntled ex-carnival workers seeking revenge on the man responsible for their jobless predicament.

On October 21, the second part of the ongoing story revolving around these eight would-be vengeance-seekers, along with a host of others sucked into the maelstrom of escalating violence and peril, surfaced in the form of Festival of the Flesh. This cheerful little excursion into depths of depravity is, as mentioned earlier, perhaps a book that will make Plebs and it’s sequel books seem like a pleasant walk in the park.

Carnival of Chaos definitely has its moments, but it is the foundation of the story, the build-up and setting of various scenes, the introduction of the assortment of miscreant characters that populate this freakish, violent and dangerous landscape. Given where this particular book ends, it should probably come as no surprise that Festival of the Flesh launches into bloodthirsty mayhem almost from the word go and doesn’t let up.

Carnival is occasionally laced with levity, lighter moments and instances of jocularity courtesy of some of the characters, but Festival, not so much. It is grim, bloody, ultra-violent, and keeps the foot on the accelerator throughout. In addition there’s a moment in here serving as a brutal analogy for the reality that the laughter is over. Let’s see if anybody can pick that moment.

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The crew comprised of Loco, Blades, Angelique, Cleo, Stix, Ben, Minx, and Jason have discovered exactly what the Festival of the Flesh is, and the true motivations behind the sinister Mister E. steamrolling their former place of employment under a garish new horror themed carnival entity. Along the way, their reckless and dangerous choices and entanglements have created a snowball effect that has dragged numerous others into the slipstream.

Percy, Jason’s flatmate, a studious, naive fellow, prepared to blindly folow Jason and stick his neck out for him and his friends without fully understanding what he’s involving himself in.

Dawn, gym junkie fitness fanatic blonde who happens to live in the same apartment building as Jason and Percy. Her presence in the right place at the wrong time leads her into a world of deadly obsession, and of course the perverse world of the Festival of the Flesh.

Amber, beachy blonde beauty, with an attachment to Ben, and a distrust of all else. Circumstances have rendered her abandoned and friendless, but for the motley crew that is the ex-carnies, and she’ll do absolutely anything in her power to steer the mission away from entering into the Festival of the Flesh.

Colin Kadogan, Patrick Doolan and Jennifer Brand, police officers tasked by their boss, Chief Cavanaugh to investigate the Carnival, certain that a string of incidents are tied to the new horror creation. Chasing leads on what originally seemed like fairly routine cases, albeit of an unusual nature, these officers of the law are about to be catapulted into nightmarish realms, with Doolan in particular coming face to face with horrendous visions of his past.

And while the malevolent Mister E and his whole sadistic family loom large and threatening over all, behind the scenes lurks another more insidious soul. The demented Desmond Drago, surrounded by ghosts, intent on perversion, damage and bloodshed, stalks in shadows, driven by infatuation and the desire to twist the Festival to his advantage.

While many of these characters and others (including Amber’s duplicitious cordon of former friends) first surfaced during Carnival, they are all on a collision course of violence and horror that will land each and every one of them right in the midst of the Festival of the Flesh.

Come along and join them, but remember, Carnival of Chaos needs to be read first before you throw yourself into the mayhem of the Festival.

I can’t guarantee you’ll have a good time, in fact, I’m pretty sure you’re in for the exact opposite of that.

Available now in paperback and Kindle formats (part of J. Ellington Ashton’s massive Project 26, and most likely the bloodiest of the lot). Should come with several warnings, but doesn’t. Most folks by now should be well aware of what they’re getting into here, and the cover alone should serve as warning enough. This is a bloodsoaked, boobytrapped extreme carnival ride into the sheer depths of depravity and horrific violence. Come prepared.

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Hidden within a seemingly innocuous horror-themed carnival exists something far more disturbing. Where those with dollars and depraved desires find everything they seek catered for.

Hunted by mutant backwoods freaks, pursued relentlessly by the malevolent ringmaster who usurped their former boss, stranded in the deep woodland, and fast running out of options, the remaining few free ex-carnival employees are about to be forced into bloody battle that is only the beginning of a descent into sheer terror.

Having discovered the truth behind the carnival’s existence, these desperate souls know there is only one way to save any of their friends from becoming prized exhibits, and perverse playthings for the sick and bloodthirsty. They must gain entry and take part in the gruesome enterprise that lurks behind the garish trappings and faux horror extravagances of the carnival’s new and improved version.

Blood is going to pour like rain, to a symphony of screams. Bodies are going to stack up. The entertainment to be had here is enjoyed only by the most sadistic and degenerate of souls, and from all walks of life they come, from every corner of society, seeking to indulge their sickest, bloodiest impulses.

Peel away the bright, colourful facade of the carnival and you’ll find the hideous heart that is the Festival of Flesh.

http://smarturl.it/festivaloftheflesh

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CARNIVAL OF CHAOS

Meet the eight souls who used to be employees of a quaint little establishment known by the rather cumbersome name of Chippy the Champ’s Classic Circus and Carnival.

They’ve just turned up to work to find their old boss has inexplicably parted ways with the business, leaving it in the hands of a sinister newcomer with an entourage of brutal staff, and vastly different ideas on how to run his new acquisition.

Not only are most of their old professions likely to be rendered obsolete and not required in the malevolent Mister E’s new vision of a sleek, ultramodern, terrifying Horror Park, but their loyalty to their former employer has them at odds with the new owner from the word go.

Harsh words become physical violence, as assaults and intimidation are carried out upon those unwilling to bend to fit into the new Ringmaster’s grand regime. Threats, sleazy propositions, and warnings that more violence and far worse will follow is just the precursor to all dismissed carnival employees being forced to leave the premises immediately without being allowed any access to personal possessions. There are many terminated employees shown the door on this day, but only these eight make the potentially foolish decision to return at a later date, seeking retribution.

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Angelique. The trapeze artist. Acrobat. Gymnast. A fiery, feisty, compact brunette stunner with a burning desire for revenge. She’s a ringleader, an instigator, and possesses a natural willingness to launch herself into dangerous situations, and the ability to convince others to do likewise.

Ben. The strongman. A six foot five shaven-headed behemoth, comprehensively covered in tattoos, fond of toting around sledgehammers. Powerful, loyal, and keen to right the wrongs he sees perpetuated on his friends. Looks intimidating, but there’s a good heart beneath that muscled, inked exterior.

Minx. The elephant trainer. Blonde and nervous, never a leader, always a follower. The least willing to buy into any vengeful missions, she’s also far too prone to succumb to peer pressure. Born of affluent folks, Minx doesn’t really need a job, but the chance to see her beloved elephants again is a powerful incentive to sway her into joining her wronged co-workers in all they seek to do.

Stix. The clown. With a penchant for food and painfully bright ridiculous clothing, the genial Stix isn’t just a circus or carnival clown at work, he’s a clown in general, fond of pranks and mischief, and a good time all round. More prepared to look for the safer way out of trouble than to plunge headfirst into it, he’s nonetheless also prepared to follow his long-time friends and associates into the pits of hell.

Cleo. The tiger performer. Aloof, statuesque, pierced brunette beauty. With a propensity for profanity, a stubborn streak and a temper, to go with no qualms about speaking her mind, she is among the first of those vowing vengeance on those responsible for the carny crew’s rough treatment.

Blades. The knife man. Short, wiry, and gaunt, Blades is small in stature, but big in intimidation. Blades isn’t merely a catchy nickname plucked out of thin air; this fellow is lethal with anything sharp and carries more concealed knives around than an average armoury. Stix’s sidekick, or more appropriately, vice versa. While Stix brings the jokes and good humour, Blades brings the genuine menace.

Loco. The oddity. The freak. The true ringleader, spearhead and driving force behind all the maelstrom of events the displaced ex-carnival workers find themselves engulfed in. A six foot tattooed, pierced, braided, Mohawked entity Loco is who all the others seek direction from. Looks frightening, genuinely is frightening. Carries around an abundance of secrets.

Jason. The sometime sideshow operator. Jack of all menial trades. Easy-going, metal-loving Jason is the newest member of the Carnival, and not being a true ‘carny’ as such, most likely to be kept around for the new Horror Park vision. Instead, despite being in desperate need of a job, he is first to speak up against those seeking to undo the antiquated notions of the Classic. Quick-thinking, quick-acting, impetuous, impulsive, Jason is the wildcard in the vengeful jobless carnival brigade.

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Spearheaded by the persuasive Loco and Angelique, this intrepid (or insanely foolish) octet bide their time for a week, then meet up once more, with plans to return to the Carnival grounds. Motivated partly by the desire to regain some of the possessions they weren’t allowed to take upon their termination, but mostly by the need to somehow seek vengeance on those they feel wronged them, the disgruntled collective return under cover of the dark.

Soon enough they can see that in that week absent from the place, Mister E, his hordes of workers, and most likely those who elected to remain in the new Ringmaster’s employ have not been idle. Nothing remains of the rustic old, tranquil place of employment they were all used to. In its place is a massive sprawling monstrosity of a creation, a modern Carnival behemoth still in the process of being completely set up. Surrounded by towering chain-link fences topped by barbed wire, this giant entity dwarfs the tiny Classic Carnival it has eclipsed.

This is the Carnival of Chaos, and what they’re about to discover inside is going to change a simple revenge mission into an escalating nightmare of terrifying proportions, where it isn’t just the eight of them being dragged into a slipstream of violence, pain, perversion and unimaginable horror, but many others as well.

 

Carnival of Chaos (which is part of the massive Project 26 creation from J. Ellington Ashton Press) is available now in paperback and Kindle, part one of a two book tale which culminates with Festival of the Flesh (available in two weeks).

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Threatened, assaulted, and ultimately dismissed from their jobs, a group of disgruntled ex-carnival workers swear vengeance on the sinister new boss responsible for their state. Coercing even the most unwilling amongst them to join in on the revenge mission, the collective wait, biding their time before returning to the carnival grounds under cover of darkness. Plans for regaining lost property and enacting some simple retribution swiftly turn deadly when a series of grisly discoveries are made.

Now, having unwittingly involved themselves in something insidious and monstrous, this miscreant collective are being hunted by a relentless force. As more people are sucked into the maelstrom, innocent and nefarious alike, they’re all about to find themselves on an escalating nightmare journey into a brutal world of unimaginable pain and perversion.

Snaring a ticket to this carnival doesn’t ensure fun and frivolity. It only ensures carnage and chaos. Survival is not guaranteed.

http://smarturl.it/carnivalofchaos

 

JUST ANOTHER UPDATE

In the interests of paying a little more attention to this site, I’ll be posting somewhat more regularly around here. Which means you’ll either get something semi-coherent or an utter stream of complete gibberish. For now, we’ll go with an update.

At the tail-end of last year I posted up a pretty comprehensive list of projects and books I planned to work on in 2017, including roughly twelve novels. The good news there is that two of those are just about written (another one-The Sleep, subject of my last post, of course came out in January) and will see the light of day this year. Because these two are both part of a larger project, I’m not at liberty to release anything in the way of details just yet. While I’ve had fun working on these books, they’ve monopolised a lot of time, and honestly, I’ll be glad to get that shit done and squared away. A whole bunch of different factors have meant I haven’t exactly ripped through the latter book in the way I normally would, so trying to get it done has been moderately frustrating. I dig the characters and the story, but to say I’ll be glad to see the back of it is an understatement. While I’ve been pouring what available writing time I have into trying to knock this motherfucker over, I’ve had numerous other projects sitting on the back burner, some with rapidly approaching deadlines. Fair bet there’s a few other things I’d committed to, or wanted to write for, that have had their deadlines elapse now.

Naturally I’ll announce news on these books and release details when I’m able, but for now, rest assured, at least two new books will be coming this year. Initially when I made the list detailing the various novels I had in the works, or plans to delve into, I’d envisioned having a bit more done by this time of year than I have so far, but you know, best laid plans and all that shit…

The various factors and outside aspects that have impacted on my writing time turned this latest book into something of a fucking albatross around my neck, and I’ve felt like I’ve been moving through it more sluggishly than I’d have liked when I actually do get around to doing any scribbling on it. Fortunately, the end is in sight and I can get it cleared and move on to all those other projects that are piling up like a mountain of fucking unpaid bills.

After I finally get that sorted, my first focus will be on a few short stories for various anthologies that have to get written. The bonus there is I have a story lurking insidiously around in my head for the first of those, and ideally I’d have already splattered this one out in fresh blood or what-have-you, but in trying to get the novel completed, I set myself the rule of only working on it until it’s done, so nothing else gets written until then.

Knock those antho commitments out of the way and work shall commence on any number of novels, either already started, or some new fiendish endeavours. One thing is a given. This beast will be in there somewhere…plebspromo3

There will be a sequel to Undead Fleshcrave: The Zombie Trigger somewhere in the mix too, but that will probably be considered sometime after Plebs 3. I did mention on Facebook at some stage that some folks might get to be in one of these two books, at least in terms of appearing as a character, or having a character named after them etc. etc. I recall a pile of people commenting on that particular status nominating themselves to be in the books, but shit, that was a fair while ago and rather than scrolling through the fuckload of posts that have saturated my timeline since then, I might need to do a refresher and see who was keen to get themselves deepsixed (maybe) in either Plebs 3 or The Zombie Trigger 2. Or maybe something else. Who knows?

In other news, the brutal juggernaut that is Rejected For Content will continue to stampede over all and sundry with no remorse, no regard and certainly no signs of slowing down. I made mention of a new disturbing entity that I have brewing which led some to question whether this was going to be something of a replacement for RFC. Short answer, no. Long answer, fuck no.

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Rejected For Content has so many more stories to tell, so many dark corners and recesses to explore, and so many stones to overturn, so there’s no end in sight for that monstrosity. Again, in the interests of involving readers and fans of the series, I might throw open the potential naming or theming of Rejected For Content, to those very people. In fact I already did toss it out there to gauge reactions and see what sort of despicable shit people were keen on seeing for number 6, but nothing officially set in stone. I’ll return to that when the time is right to start building momentum for the RFC machine. So, for all those who fear that Rejected For Content was on it’s last legs, or out the door, or about to fuck off out of here, no need to worry at all. Not only is the open call for RFC6 going to be happening, but so too will something else RFC related. The latter will potentially occur before anything RFC6 does; we’ll see.

As for the other WetWorks entity I made mention of just above and on Facebook leading to those queries about RFC, well, this isn’t going to be a replacement, it’s going to be something completely different and something to run alongside Rejected For Content. I’m looking forward to divulging some information about this, but again, I’m waiting to do that until I clear some projects. I will say this though; it will be extreme, it will be controversial and without doubt it is bound to upset some folks and ruffle a few feathers. I haven’t yet decided whether it is going to be thrown open, or if it will be invite-only, but I am leaning toward the latter. Which means, as I stated on the Facebook status, that some time shortly, I will be actively seeking for collusion and involvement from suitably deranged, disturbed, extreme, perverse sanguinary scribes. I already have a mental list of folk I’m keen on asking-or should that be a list of mentals?-which is why I’m a little keener on making the project an invite-only thing. Primarily because I know that the folk I’m interested in asking to be part of it, can write the type of material I’ll be seeking. Extreme inkslingers who aren’t afraid to get dirty, bloody, offensive, yeah, you get the gist.

That isn’t to say I won’t throw it open at some later stage, we’ll wait and see how this excursion into extremity pans out. As I said, I’m anticipating that it will stir some people up, but then again, everything does these days.

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Dual Depravity hasn’t been forgotten either; there will be more volumes of that forthcoming at some stage down the track, with various authors getting involved for those books, but for now, fucking projects, lots of projects. Not enough time to get everything done, and of course, me claiming to ease back on the anthos and concentrate on novels this year worked out a treat didn’t it? Committed myself to a pile of those…

Anyway, that’s enough of that. One more chapter to write on this novel and I’m done, so best I get to that.

JIM GOFORTH HORROR AUTHOR(6)

THE SLEEP

As if I needed any more proof that I sorely neglect this WordPress site, how about this? My most recent novel came out in January, and here it is mid-May, and I haven’t mentioned shit about it over here. In my defence, I maintain an assortment of different pages and profiles, and more often than not, this is the one which gets left to rot and fester. In any case, best rectify that now.

January 2017 saw the release of my first novel for the year (there will be at least a couple more coming out this year, but those are still under wraps as far as providing details for them goes). This of course, as most people should already know (unless you use this site to keep update on news-in that case, you wouldn’t have a clue), was The Sleep.

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This book is my spin on a creature feature of sorts, a monster tale, albeit written in my usual grindhouse splatterpunk style, though it probably is a little more accessible to mainstream horror fans than some of my previous works have been. That isn’t to say it has been toned down in any context, more of a case of the story not quite warranting some of the things that have appeared in prior books.

Here’s the synopsis

Obscure urban legends and monstrous myths abound all over the internet, and none are more obscure or bizarre than the one purported to haunt the strange, remote and oddly named town of Growling and its surrounds.
Here, the communities are plagued by freakish weather phenomena, aberrant lightning and something even worse that arrives in the midst of these irregular storms. Here, all denizens adhere stringently with the unwritten rules of what they all know as The Sleep. Here, the way of life for folk is dictated to by the BeastStorms.
When a group of friends, including an amateur horror film maker, an urban legend and supernatural enthusiast, a sceptic and a journalist, among others, stumble across the vague tale online, each have their own reasons for wanting to discover the veracity of the peculiar legend.
Now, they are on a road trip that’s taken them thousands of miles from their comfortable city existences and right into the domain of The Sleep. Where mistrusting, superstitious locals patrol the neighbourhoods in packs with ominous warnings for intruders and unwelcome passers-through. Where dissenters are run out of town to live as outcasts on the fringes of civilization. Where repercussions are severe for those who don’t take heed of warnings to abide by the rules of the land.
Where unholy storms unlike anything ever experienced before, dredge up something more than insane weather. Something monstrous.
Every so often, among all those many legends easily explainable, or proved to be nothing more than pure hoax, there’s one with more than a kernel of truth to it.

One like the BeastStorms.

The whole concept of this tale is one I’ve had in my head for quite some time, and it was all originally derived from one single image (the base image you see on the whole cover wrap-the old dwellings and the sky). Elements were added by cover artist Michael Fish Fisher to further enhance the aesthetics and fit the theme of the book, but the base image itself, prior to any of that, was enough to conjure up the story in my head before I even started writing it, at least in terms of the mythos, what happened when the Storms came and how people dealt with that. Like most of my work, I didn’t plan it or outline it in any way, shape or form; I had the initial characters, what their motivations were and as usual, I threw them into monstrous situations and let them see how-or if-they could come out of it. Unlike the majority of my other books, I did have some idea on how it was going to end, though even that took something of a turn along the way. In any case, here’s a few things folks have been saying about it.
“The Sleep is a combination of a novel and a horror movie which goes in gonzo directions and yet it all makes sense in the end. This is what novels are supposed to do. As horror, when the evil erupts in almost atomic bomb explosion with everyone in its sights, expect the worst for the worst is there spilling with blood, death, and decapitations. The monsters, both human and monsters, are monsters with little pity.”
Goforth layers his novel with violence, and gore, but there’s a compelling story here. That’s what makes The Sleep so good. It’s a dark, gritty novel that reminds us that it’s the things we can’t see that are the most terrifying. When it comes to horror no one writes like Goforth. This is a guy that takes the genre back to it’s early days of true terror, and suspense, and writes like a man possessed. This is the future of horror and each novel gets him one step closer to mainstream success.”
Jim Goforth never holds back and always packs a hell of a punch.”
If you like horror stories and can handle gore, I highly recommend this entertaining book!”
I have a lot of respect for the writing of Jim Goforth. He can take an action scene, draw you in, keep you gasping for breath, and turn the whole situation in another unexpected direction. This is what he does in The Sleep.
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If any of that sounds right up your alley, snag a copy of The Sleep and check it out. Feel free to drop a review off on Amazon and let me know your thoughts. Good, bad or ugly, all reviews are appreciated.

From the author of Plebs and Undead Fleshcrave: The Zombie Trigger.

Seven intrepid travellers. One obscure tale. One hell of a storm of nightmares.

Some urban legends are true.

http://smarturl.it/thesleep

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WRITING WRAP 2016

2016 has been a prick of a year, not just for a handful of people, but seemingly for most folk across the board. With more ups and downs than a rollercoaster (probably more of those downs), it’s pretty apparent that this is a year most people are keen to see the back of, but that’s not really the purpose of this post. Rather than dwell on any of the less than exemplary experiences that have occurred, either personally, or for many others, this is my 2016 writing wrap.

And in terms of writing, personal output and achievements, 2016 was a stellar year for me.

With the exception of only April, May and June, I had something happening in each month of the year, whether it was the release of novels, stories appearing in anthologies or part of the ongoing Rejected For Content series. In some instances there were at least a couple of things each month with October and December being particularly productive.

My initial thoughts way back in the day that I’d try and follow a template of releasing a novel, then a collection, then novel and following that pattern went way out the window considering I had three novels come out in 2016 and no collections. Granted, two of those full lengths were two separate halves of the same story, and released simultaneously, but all the same, they were lengthy beasts and simply not feasible to put out as one book. As for collections, while I do have a pile of stories to comprise collections, not all of them are brand new and with the amount of anthologies I’ve been involved in, undoubtedly there would be reprints. My stance on collections remains the same-until one is a massively established writer with a whole host of things under their belt, putting out a collection largely comprised of reprints folks have probably already read is a rort. Save that for your greatest hits album. When you’re at the stage of making a greatest hits album, that is. Not a mere couple of years or less into a career. In any case, a collection made up of mostly new stories and a few reprints from niche anthologies and lesser read publications will be on the agenda for next year, but we’ll see what happens with that and where it fits in among all the other things planned for 2017.

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I kicked off the year in January with the release of extreme metal zombie opus Undead Fleshcrave: The Zombie Trigger. Being a splatterpunk/extreme horror take on the whole zombie genre with a constant soundtrack and proliferation of primarily black and death metal driving it, this was always going to be something of a niche book likely to appeal to specific audiences, but a having it reviewed in Metal Hammer magazine was a distinct highlight. Unfortunately with the collapse of Team Rock, it’s likely Metal Hammer and other long-running magazines under that particular blanket won’t exist anymore, so any sequels spawned from Undead Fleshcrave won’t be finding themselves reviewed in those pages.

February saw the release of the very first in a line of battle anthologies, that being the M v F (Male vs Female) books, where a team of male authors captained by John Ledger was pitted against a team of female authors led by Catt Dahman. Simple rules were put in place here; each team were given specific items that had to play a part in their story and a location which it needed to be based in or around, and then each story was voted on by a group of impartial judges with no knowledge on who wrote what. Two books were spawned from this competition, MvF: Deadliest of the Species and MvF: Death Personified. You can catch my tale Lancet, in that latter book.

This was the first of three battle type anthologies I appeared in over the course of 2016, with the other two coming at the tail-end of the year in VS: US vs UK Horror and VampZ vz WolvZ.

In March, the second volume of Tales From the Lake from the always fantastic Crystal Lake Publishing finally emerged after a period of delay (the book was originally slated to be released mid-2015). The story I wrote for this one, Lagos de los Perdidos, was something of a complete departure to my usual splatterpunk, ultra-violent, more extreme end of the scale type material, centering more on a dark emotional side of things. I was one of the judges for the Tales From the Lake competition and almost forgot I was supposed to write a story for the book as well, so this one was written in a mere night or so. All the same, it was definitely one of my favourite stories of the many I penned during the year, and tapped into a different approach to horror, or what most folk might have come to expect from me.

Earlier on I’d jumped onboard with Matt Shaw’s ideas for an Easter themed horror anthology and March also saw the release of that holiday beast, Easter Eggs and Bunny Boilers. In the cheery little tale of mine, When a Bunny Snaps, I introduced a quaint establishment called Fantasy Dress, a costume themed restaurant/bar/club where each holiday of the calendar year sees the female staff dressing appropriately to match said holiday. This was intended to be a one-off, but Matt also pulled together many of the same authors who’d appeared in Bunny Boilers as well as multiple big hitters of the genre for a Christmas antho (or rather, an anti-Christmas antho), so the chance to revisit Fantasy Dress and drop them into festive fuckery was too good to pass up. I’d originally started writing a completely different Christmas horror story and then left it to pen a completely new one which would focus around Fantasy Dress instead.

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In the next few months, I was mostly busy with working on the follow-up books to Plebs and the fourth volume of the Rejected For Content series. In July, Rejected For Content 4: Highway To Hell burst forth in a fiery inferno of the grotesque and the grisly, and in the following month, the sequels to Plebs finally appeared, over two years since that first book (and my debut novel) was released. Riders was split into two books (Riders: Plebs 2-Book One and Riders: Plebs 2-Book Two) because it was an enormous sonofabitch on completion, well over the 180k length that Plebs was. It simply wasn’t viable to put it out as one book, even after extensive cuts. In any case, readers who are familiar with Plebs might, or might not, know what to expect from these books. Brutal, explicit, bloody, yeah, you know the drill. Or if not, dive in and see what it’s all about. Those who have managed to catch up with the latest exploits of the Riders are already calling for a return, so rest assured, that will be on the agenda at some time in the future, hopefully sooner rather than later. Those who have read Plebs, but haven’t yet ventured into Riders, best get into it now.

I was initially planning to write a bit of a spiel on each tale I had published during the year, but as is generally the case, I’m pretty pressed for time as it is, with projects banking up for the new year and it’s fair to say I’ve been a little slack with writing much of anything over the Christmas period, so I’ve got a hell of a lot I need to get done. So with that in mind, rather than go into any more detail, I will just post a list of everything that came out during the year. You’ll be able to see from that list, the rest of the year was pretty hectic as well, particularly around the end of it. I’ll revisit some of the stories I didn’t get around to saying anything about later, but for now I’ve messed around enough in the way of not getting solid words written on anything productive the last week or so.

So, without any more preamble, here’s the list of published works I had, or appeared in, during 2016. Story names from anthologies listed in italics.

Undead Fleshcrave: The Zombie Trigger January 8 (novel)

M v F: Death Personified (Males vs Females Book 2)Lancet Feb 27

Tales From the Lake Vol 2Lago de los Perdidos, Mar 11

Easter Eggs and Bunny Boilers: A Horror AnthologyWhen a Bunny Snaps, Mar 27

Rejected For Content 4: Highway to Hell July 15 Editor

Riders: Plebs 2-Book One Aug 20 (novel)

Riders: Plebs 2-Book Two Aug 20 (novel)

Drowning in GoreMarshlands Malice, Sep 20

TrashedStrange Old Brew, Oct 3

Dual Depravity Volume One (WetWorks Presents)-with John Ledger Oct 7

Horror Anthology 2016 (Moon Books Presents)-Cavedwellers, Oct 13

Full Moon SlaughterHour of the Wolf, Nov 1

Bah Humbug! An Anthology of Christmas Horror StoriesMental Elf, Nov 27

VS: US vs UK Horror Line Dancing at Hack House, Dec 1

Rejected For Content 5: Sanitarium Dec 8, Editor

VampZ vz WolvZDinner Interruptus, Dec 14

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Fairly reasonable year happening there, a lot of stuff got done. And although I say the same thing every single year, regarding cutting down on anthologies and focusing on my novel projects and so forth, I’ve already committed myself to a pile next year, so rest assured you will see a list of similar length, or even longer, surface around this time in 2017.

Here’s a brief rundown of projects earmarked for next year or ones I’m already working on (or at least those projects I’m at liberty to disclose right now).

January 2017 will have a monstrous start to it. First cab off the rank for me is going to be The Sleep, a new novel that isn’t affiliated with Plebs, Undead Fleshcrave or anything like that at all. Instead, it’s something completely different, a creature feature if you will, or monster type book, albeit soaked in my grindhouse splatterpunk stylings.

Then there will be an appearance with a bonus short story in Matt Shaw’s highly anticipated release The Devil’s Guests, out in February. I will also be appearing in another of Matt’s projects later on in the year, a huge project that already has a hell of an excellent line-up with more authors slated to join the TOC over the coming months.

Alongside a host of anthologies which haven’t yet had details released to the public, I’ll also have stories in Suburban Secrets 3: Home Invasion, Sweet Dreams from Anthology House and another VS project, and that’s just a few of those I can make mention of, two of which are already written for and sorted, ready to roll. No doubt there are also going to be myriad open calls spring up throughout the year I’ll be interested in submitting to, so that resolve to steer clear of anthologies is just something I’m going to concede is probably never likely to happen.

There will also be no less than three Rejected For Content creations (and only one of these will be the next volume in the series-that will be number 6, currently untitled. I’m thinking I may involve fans of the series to conjure up what sort of loose theme they’d like to see explored).

I already mentioned another collection, and depending on how much time I end up with to be able to put it together, that could see the light of day in 2017. I have a body of new stories, as well as those aforementioned reprints from publications that didn’t receive a wide readership on release, that will comprise said new collection.

Aside from that, Dual Depravity Volume Two (with Dawn Cano) will be happening, and I also have plans for a musical-themed anthology focusing on a specific band (and either one of their classic albums, or drawing inspiration from several of their albums). There are actually numerous bands and albums I’d love to be able to do anthologies revolving around in this manner, but again, time is a factor. Deadlines for other projects are already looming, so the focus is going to have to be with them first, then we’ll see where I end up.

In terms of novels, here’s a brief rundown on what I’m working on or will be working on over the course of the year. At this point in time only The Sleep is a definite release but two of the following have deadlines and are slated for 2017 release, so you can expect no less than three novels from me, maybe more. (Most of these are working titles only and are subject to change)

The Sleep

Carnival (abbreviated title)

Festival (abbreviated title)

Tyler Flynn

Plebs 3

Global Death: The Zombie Trigger 2

Murder Academy

Aground

Johnny Fox and the Werewolves

Neighborhood

Lycan Gang

Degenerate Children

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There are also some plans to venture back into worlds already established in a couple of previously published short stories and make full length novels, or at very least novellas, from them, but again, we’ll see if time permits that or whether they’ll become future projects further down the track.

That’s a rough idea of how many novels I already have started work on, completed work on or am near to completing, and that’s without being beset by new ideas. Without a doubt I’ll also be compelled to randomly start new novels out of the blue which aren’t on this list or have absolutely nothing to do with any of the works or planned works already mentioned. That’s how inspiration hits me. Could be the slightest thing, a single picture, a snippet of conversation, a song, anything, and I’ll have the ideas for a new book cooking up a horrific story. The whole idea of The Sleep sprang from one single image and it’s not unusual for me to find an entire book right there in one solitary picture.

I also meant to make mention of this earlier on, but naturally got carried away with talking gibberish. 2016 also saw me crack the top 100 in Most Popular Horror Authors on Amazon, which is largely due to that prolific output, as well as the Rejected For Content series and appearances in a string of successful anthologies. Reaching number 68 has been my peak so far, but I’ve been in there for a month or so, so we’ll see if I can round out the year by staying in there and climbing higher next year with a slew of bloodsoaked releases.

Stay tuned. 2017 is going to be a hell of a ride.