Posts Tagged ‘novels’

2018 WRITING WRAP

Untitled design(4)

This is basically an extended version of a Facebook post I put up earlier, which I figured I’d add here too, with a little more in it.

At the start of the year, some folks might recall me setting myself something of a challenge, which was to try and release either a book a month or the equivalent of that. At that time, aside from writing, editing etc. I wasn’t working full-time, so time was in abundance, albeit never enough to get everything written I want. That’s just a standard state of affairs, regardless of how much time I might appear to have. Always too many ideas, be they for short stories, or novels, or short stories I wish to expand into novels or any number of things. I always work on multiple projects at any given time, and even so, I’m still being bombarded with ideas. Some are good, some are terrible, others tend to grow on me, but if they warrant writing or they need to be written they usually stick around until they get written.

In any case, that challenge did not come to fruition. Barely a month or so after setting that bold, and foolhardy, challenge, I was back working full-time, and time was no longer a commodity I had a lot of. After being out of full-time work for a few years, I must say I got used to the idea of having so much time in which I could get things written, and of course, in that time, I did get plenty written. Which is why, seemingly inundated with what should be enough time to either get new things written, polish up old projects, or compile stories into collections etc. etc. I threw myself under the bus by setting myself a challenge that would have probably only ever been met had circumstances and situations not changed in any way. But, naturally, they did, and after a few years out of full-time work I was right back into it. Consequently, as per usual, I didn’t get everything written I wanted, or planned to. Still, several of my earlier books were written while working another job full-time-Plebs was written in snippets on lunch breaks, sitting in parks and all kinds of things (Stay tuned for a post some time down the track which is going to explore a whole bunch of trivia and things you might not have known about various books, including Plebs and others)-so it’s not impossible to get things done; they just get done a little slower than they otherwise might. So after getting a new book out early in the year, things definitely slowed down throughout coming months. I was still writing, putting books together, working on an assortment of projects, but not with as much time as was afforded to me earlier on.

I did however get some books out there.

Harvester’s Trade, an all new novella revolving around a group of dangerous, violent convicts being transported to an unknown location by bus was my first release, and it came out while I was still swamped with plenty of time to set foolish challenges and work on new material. Then there was Disquiet: An Assemblage of the Unnerving. This one was a collection comprised of several of my lesser known stories and tales which were drawn from niche anthologies or books which didn’t particularly have a wide readership. Some works in here were quite restrained and dare I say, tame by my standards, while others were probably a little more what most folks familiar with my work would be expecting.

Extremes came along next, and this one is pretty much exactly what its name would suggest. This is a collection of some of my most extreme horror tales, again from myriad anthologies. The difference between this and Disquiet is that several of the stories contained within this book were originally published in books that were pretty big, featured some of the biggest names in the game, and hit a much broader audience than the works featured in Disquiet. Nonetheless, Extremes, despite being comprised solely of reprints still remains to this day my biggest, and fastest selling book. Page reads in Kindle Unlimited for this have also been pretty insane and continue to carry on that way. There are a lot of stories in here which were a hell of a lot of fun to write and while they might rank as some of my favourites in that regard, I wouldn’t necessarily say they are all the best of my work. Still, I have my own opinions on why this book in particular is so popular-some I’ve explored in earlier blog posts, some I plan to explore in a future post. Stay tuned for that.

Havoc Vulture followed Extremes, and unlike the two previous books this one was all new, a novella that originally started life as something else, as many of my books end up. The initial plan for this was for it to be a short story in a collection of tales which would all draw their names from some of my favourite black metal songs. The themes or subject matter or what-have-you contained within those stories wouldn’t essentially have anything to do with the song itself-for example, I planned to write one entitled Blizzard Beasts from the Immortal track (and album of the same name) which is pretty self-explanatory. Scary motherfucking beasts in the snow with a bunch of fools trapped in a cabin or some such shit. Instead, Havoc Vulture (which for those who don’t know, is a song from my favourite band Satyricon’s album Rebel Extravaganza) turned into more, a novella to be precise. Based around a bunch of sixteen year old black metal fanatics in a small country town who are first thrilled to discover an infamous band is coming to play a show in their town, and then distraught to find the powers that be in the town have stamped all over the idea of that happening. This one tossed up a conundrum regarding what various sub-genres of fiction and so forth can be construed as. I made mention of the fact that there are two schools of thought on what is considered young adult fiction. One suggests it is the material, topics, subject matter and so forth-things which are targeted directly at a young adult audience which makes a book YA. Another school of thought-and this is where I tend to disagree-is that if the main characters or protagonists of a particular book are teenagers or children or of a young adult age then that in itself makes a work YA. As I mentioned I strongly disagree with that notion for multiple reasons, but it’s something I’ve already covered elsewhere, and have no plans to reiterate it here.

After that I put out From the Vault, which was something entirely different for me, or at least for what most readers would expect from me. This was neither a novel nor a collection of short stories, nor was it by any stretch of the imagination new, at least not to me. This one was a collection of roughly fifty poems which I originally wrote way back in the nineties as song lyrics. These were drawn from a collection of hundreds I wrote way back then, and followed no theme whatsoever aside from the fact that most of them were works which explored darker themes. Essentially, the pieces here signify the very start of me blending horror and heavy metal, something I continue to do regularly (check out Havoc Vulture, Undead Fleshcrave, numerous other works for some prime examples of that). Not all of these poems/songs/what-have-you were horror, in fact many of them were not. However several were, and they serve as some of the earlier forays into horror from me. At this time I’d also written a couple of horror novels, but did little more with them aside from writing them. Anyway, that book acts as a nice little trip down memory lane, and also provides a bit of insight into the history of some of my writing.

What would end up being my final release for the year was More Extremes, which again, is pretty much what its name indicates. More extreme horror tales, following in the footsteps of Extremes, and setting up a series which at this stage is open-ended. It could become just three books, it could span beyond ten. Who knows? For now, it’s just the two of them, though I already have numerous stories and ideas for the next installment, largely because several of the tales I planned to be in More Extremes didn’t end up in there.  I had intended to have eight tales in here, with an even split of reprints and new material, but of course since I was now working on stories amidst full-time work and numerous other activities which cut my writing time down drastically, it was taking longer than I anticipated for the book to come together. As a result I replaced one of the unfinished new stories with a much older piece, in fact a longer story from a book that is now no longer in print in order to get the book out before the year elapsed. Ultimately, with the inclusion of that tale, alongside a couple of others which were remarkably musically themed, More Extremes ended up quite heavy on the horror fused with metal I made reference to before. That was unintentional, but it worked out well given the fact I decided to dedicate the book to a good friend of mine who passed away earlier in the year, who was a massive metal and horror aficionado (also a metal musician with a hand in horror movies. RIP brother Killjoy.So while the end result wasn’t an even split, there are still several all new stories included in More Extremes, and you can rest assured that the next volume will be largely, if not completely, made up of all new stories.

I also put together Triggered, and Punk Vs Metal (with Michael Fish Fisher handling most of the editing for the punk side and the creation of the book’s cover), and wrote a few stories for various other anthologies, but since none of those were specifically just my work, they can’t be counted in the release of my books. Still, despite not hitting the original planned number, and knowing as soon as I was back at work, that I never would, I’m still pretty stoked to get the books out that I did. Now I have something of a head-start on next year, but again, we’ll wait and see how much of what I want to get out actually gets out. Stay tuned for these upcoming projects which will be coming out in no particular order. Murder Academy, The Forgotten, Greater Extremes, Clans (which is an expansion of my story in Punk Vs Metal. It has a few horrific moments, but genre-wise it isn’t intended to be horror at all. It’s actually more urban and is quite a lot like a long-running story I started writing when I was a teenager, and plan to revisit as a series some time down the track-probably sooner rather than later), and several others. Follow-ups to numerous novels as well as a crossover novel combining characters from at least two other works are also in the plans, but as mentioned above…time. We’ll see what happens. Anyway, links to the books that did come out are located just below. Check ’em out, leave ’em a review, good, bad, or ugly, and stay posted for new books coming in 2019.

If you spend your life doing bad things, sometimes bad things are going to come for you. Ten dangerous criminals are just about to find that out.

http://smarturl.it/harvesterstrade

HARVESTER'S TRADE

 

Don’t play in the woods after a storm, don’t assume you’re safe inside your comfortable family home, and whatever you do, don’t hold a giant party without inviting the locals.

That fear you’re starting to feel isn’t irrational, it’s real.

Terrible things are going to happen.

http://smarturl.it/disquiet

DISQUIET(3)

 

Assembled together for the very first time are several of Jim Goforth’s most extreme horror stories to date, though not merely extreme in terms of content and themes. These tales delve into the great pains taken when souls are confronted with situations that require a severe response, plumbing the depths of depravity, perversion, brutality, horror, and fear.

Horrific events can unfold when people are prepared, or forced, to go to extremes.

http://smarturl.it/extremes

EXTREMES

 

Freedom’s Way doesn’t see many heavy metal concerts. Certainly not those of the black metal persuasion.

There’s a good reason why they tried to stop this one.

Vulture are coming, whether they’re welcome or not.

http://smarturl.it/havocvulture

 

Copy of HAVOC VULTURE

 

Words from the past. From the dark. From the vault.

http://smarturl.it/fromthevaultdark

 

FROM THE VAULT(1)

 

Sometimes, people are pushed to their absolute limits, made to go to extremes. Sometimes it’s not enough.
Sometimes, they have to go to more extremes.

http://smarturl.it/moreextremes

 

EXTREMES(2)

 

 

 

CARNIVAL OF CHAOS/FESTIVAL OF THE FLESH PLAYLIST

The last time I posted here I made mention of the fact that I had a playlist all sorted for Carnival of Chaos and Festival of the Flesh. Therefore, in the interests of shining a bit of light on those particular books, here is aforementioned playlist. Well, after a bit of standard rambling.

For whatever reason, these books (which are of course the same story spread over two volumes) have slipped a little under the radar in comparison to several of my other books. I suspect it might have a bit to do with the fact they first emerged as part of the Project 26 thing where 26 books came out with each one representing a letter of the alphabet. These included novels, anthologies, collections, novellas etc. and while this project was an ambitious one, it also turned out to be a little confusing for people. Consequently, Carnival and Festival, which were never originally intended for that project, but as standalone novel(s) on their own, I offered up because the alliteration in the titles went well with the whole alphabet notion. Nonetheless, various circumstances have several of the books from P26 being unpublished or released or what-have-you, so Carnival and Festival are now separate from that, so why not push them a little, because, why the hell not?

Little known fact. I started writing the stories that would become these books back around the same time I started writing Plebs. Neither they nor Plebs were originally written with titles, and they were all intended to be just short stories, novellas at most. As it turned out, Plebs became a six hundred page monster, and Carnival/Festival even longer, so much so that it needed to be split into two separate entities-the Carnival, of course, and the Festival. Just on the off chance folks hadn’t yet cottoned on (the whole numbering thing of Project 26 muddied the waters a little and had a few people scratching their heads over which to read first) to the fact that these books need to be read in order for the story to make any sense, Carnival comes first, followed by Festival which is the culmination of the massive, sprawling story.

Anyway, as most would know by now, Plebs gained the upper hand in getting written first, and ultimately published a long time before Carnival/Festival were either finished or published. Nonetheless, those stories were eventually completed, quite some time after the initial concept occurred. Years down the track in fact, which was also the case with Plebs, with a re-reading of what I had written already re-igniting the desire to complete the tale. These are characters that I love as much as those in the Plebs series, and ones that have been around just as long. And if you thought Plebs was brutal, bloody, violent and so forth, but haven’t yet encountered Carnival/Festival, rest assured both of these books tend to make Plebs look a little tame. Definitely not works for the faint-hearted at all, so if you dig the thought of getting yourself well and truly blood-drenched and bathed in depravity, dive in.

But, enough of that, here are those playlists, one for Carnival of Chaos and one for Festival of the Flesh.

As is to be expected, there are a lot of metal tracks here, some brutal, uncompromising extreme metal to suit various components of the stories and some of the pretty heinous subject matter, but not exclusively. Compared to some of the other playlists I’ve whacked up here, these ones are pretty eclectic, spanning from the usual platter of heavy metal in numerous sub-genres to rap, rock, sixties tunes, even some dance going on here. And yeah, you’ll probably notice one or two tracks by Insane Clown Posse in here, and be all, what the fuck? Well, those fuckers have made a fortune writing tracks and albums about Carnivals and whatnot, and I genuinely don’t mind some of their songs, so in keeping with the themes of the books, they slot in here juxtaposed nicely against some of the other fare on offer.

Anyway, enough gibberish. Get in and check it all out, and if you haven’t yet Carnival of Chaos and Festival of the Flesh, go and rectify that situation right now. And if you have, perhaps re-reading them with the enhanced experience of these playlists cranking in accompaniment, then that would be a good idea too.

 

CARNIVAL OF CHAOS

Black Seeds of Vengeance-Nile

The Discipline of Revenge-Cannibal Corpse

Carnival of Lies-Obsession

Loyalty-American Head Charge

Knife Party-Deftones

Twist of Cain-Danzig

Tonight in Flames-Cradle of Filth

Stuck in the Middle With You-Stealer’s Wheel

Planet Caravan-Black Sabbath

Money-Pink Floyd

Dead Bodies Everywhere-Korn

Dog’s Out-DMX

Sledgehammer-Peter Gabriel

Bulls on Parade-Rage Against the Machine

Go With the Flow-Queens of the Stone Age

The Lonely Bull-Herb Alpert and the Tijuana Brass

The Hunt-Sepultura

Dreamhouse-Deafheaven

In Your Nightmares- KidCrusher

The Wild Hunt-Watain

Carnival-Project Pitchfork

Southern Comfort-X-Method

Tequila-The Champs

Jump in the Fire-Metallica

Sweet Leaf-Black Sabbath

Halls of Illusions-Insane Clown Posse

Blood Red-Slayer

Loco-Coal Chamber

Up All Night-Slaughter

Take Me Away-Insane Clown Posse

Hunting Humans-The Misfits

Blessed by Gore-Avulsed

Cannibal Crave-Broken Hope

Just One Fix-Ministry

Fuel For Hatred-Satyricon

Blades of Steel-Imperious Rex

Mirror, Mirror-Candlemass

Rain-The Cult

Let’s Fuck-Dope

Carnival of Rust-Shining

Freakshow-Skillet

Hounds At Ya Back-Destroyer 666

carnivalpromo

Part one of an ultra-violent, splatterpunk, visceral expedition into a world of revenge, pain, perversion and bloody death. Come along and snare a ticket to this carnival, but proceed with caution. Survival is not guaranteed.

http://smarturl.it/carnivalofchaos

 

festival cover

FESTIVAL OF THE FLESH

Total War-War

The Fight Song-Marilyn Manson

Hammer Smashed Face-Cannibal Corpse

Strength Beyond Strength-Pantera

Return to Serenity-Testament

Scratch My Back-Roxx Gang

Sex Action-L.A. Guns

Closer-Nine Inch Nails

Kings of the Carnival Creation-Dimmu Borgir

Murderer’s Row-Power Trip

Creepshow-Skid Row

Festival of the Flesh-Blessedbethyname

Carnival is Forever-Decapitated

Random Acts of Senseless Violence-Anthrax

This Shit Will Fuck You Up-Combichrist

Death Machine-Myrkskog

Rid You of Your Flesh-LIK

Eaten-Bloodbath

Feast of Flesh-Exmortus

Everyone Leaves-Mortiis

The Flesh and the Power it Holds-Death

Mercy, Severity-Mudvayne

Fear of the Dark-Iron Maiden

Violent Demise-Body Count

Hung on a Hook-Alice in Chains

Code of the Slashers-Cannibal Corpse

Covered in Blood-Insan0

Maze of Torment-Morbid Angel

Divine Art of Torture-Necrophagia

How You Gonna Reason with a Pyscho?-Insane Poetry

Sixpounder-Children of Bodom

Lords of Depravity-Sodom

The Perverted Beast-Darkane

Dead and Dripping-Cryptopsy

Justifiable Homicide-Dying Fetus

Heroines-Diablo Swing Orchestra

Carnival of Souls-Savage Messiah

Only One-Slipknot

Everyone I love is Dead-Type O Negative

Crashing Down-Trail of Tears

festivalpromo

Hidden within a seemingly innocuous horror-themed carnival exists something far more disturbing. Where those with dollars and depraved desires find everything they seek catered for.

Peel away the bright, colourful facade of the carnival and you’ll find the hideous heart that is the Festival of Flesh.

http://smarturl.it/festivaloftheflesh

 

 

 

 

 

 

 

 

 

 

 

 

Upcoming titles

The first half of this year was pretty hectic with a rush of writing activity, and a few different books coming out. That was largely due to the fact that I wasn’t working full-time, and had some of those works already mostly assembled. I still do have other projects largely put together, but will be releasing them at a later date.

The second half of the year has slowed down, at least in terms of putting books out. I know I’d set myself the challenge of releasing one book a month or the equivalent, but again, as I’ve mentioned in previous posts, that fairly bold claim was made when I had surplus writing time, and wasn’t engaged in myriad other time-consuming factors. Nonetheless, there are still books coming.

First off will be More Extremes, which I’ve made reference to around one or ten times already. Following in the footsteps of Extremes (which is still my current best-selling book so far), this will be a collection of my more extreme horror tales, though of course that doesn’t essentially mean they are all loaded up with blood, gore, and violent extremity. There are far more levels to the definition extreme than that, and subtlety can often trump blunt force trauma. A constant wash of the same sort of extremity, or merely choosing to stay in that one lane deadens the impact of what is considered extreme, when one can do more with it than just sever heads and eviscerate bodies. Shit, there doesn’t even have to be blood, gore, and shock for the sake of shock, when simple themes can conjure up extreme thoughts and provoke curiosity.

Unlike Extremes, which was comprised of all reprints, mostly from books which had a pretty wide readership (go figure why this book is my biggest seller at the moment), More Extremes will be split equally down the middle, being made up of half reprints and half new stories. At least that’s the plan. If I happen to suddenly find a fuckload of time where I manage to get more new stories completed than the four I’m currently working on, then maybe that will tip the balance a little. But as it stands, that’s what I’m looking at. Any other Extremes books following this will however, be mostly, if not wholly, comprised of new tales.

Work on this has been slower than I’d have liked, because, again, life, and all those other aspects of it taking ownership of all the time I used to be able to spend writing. However, it is getting there, slowly, but surely, which is a fairly new thing for me. I’m used to writing and getting through things at a rapid rate, so it’s a bit of a change having to contend with things not coming together as quickly as I’ve become accustomed to.

I’d like to say this will be emerging in the next few weeks, and I’ll boldly predict that will be the case, but we’ll see. Keep your eyes peeled for it.

EXTREMES(2)

Once that beast is let loose, I’ll have another book coming along. This one, currently being written, is either going to be a novella or perhaps a full-length novel. Initially I’d planned for it to be a novel, but if I can manage to wrap up the story in novella format, then that’s what it will be. However, I have my doubts that will be the case. I suspect the story will take off and the characters will run themselves far out beyond a simple novella length.

I’ve revealed nothing about this one yet, in regards to what it is even about, and nor will I, at least not immediately. I did reveal the cover on a couple of social media sites last night, but at this point in time, that’s the extent of what I’ll be revealing. It’s not connected with any other novel, series, or anything else I’ve written, it’s something completely new, something I planned to do some time back, but had sitting on the back burner for a bit while I worked on other projects. In the meantime, while you wait for these books to emerge, as well some others which will be along in the future (including Plebs 3, Global Death: The Zombie Trigger, another couple of collections, and a book which will combine characters from two of my books), you can check out the cover for the book that will chase More Extremes out of the gates. Murder Academy.

I actually made a couple of covers for this, one without the tagline, but I reckon it looks better with it. You might disagree, and that’s fair enough, but I’m digging a little slash of red among the austere greys and blacks. I’m looking forward to getting it out there. As always, stay tuned.

MURDER ACADEMY(1)

How to tell you’re in a Jim Goforth story (Extended edition)

 

I’ve seen this floating around, so I figured I’d jump on it too. I posted the first five on Facebook, which is where the majority of these posts have been, but after I did, I immediately thought of a pile of others, hence the extended version post here.

How to tell you’re in a Jim Goforth story.

 

You or your friends make incredibly bad decisions. Repeatedly.

There are monsters lurking just about everywhere, human and otherwise.

One way or another, you’re going to be drenched in blood.

You’ve had a good night out. Which goes bad really fucking quickly.

You can’t quite figure out where that soundtrack of heavy metal is coming from.

Your survival is not guaranteed.

You can’t ever be sure who to trust, including friends and others that seem to be close to you.

Not everybody is as they seem.

There is violence. Lots of violence. You might often be on the receiving end of it.

There is sex. You might or might not be involved in it.

There is swearing. Sometimes a fuckload of it. Probably coming from you and everybody around you.

You can rely on other people, at least for a while. If you truly want to fuck things up, you should probably do it yourself.

You drink. Because, well, reasons. An assortment of them.

You wake up in strange places. Which isn’t overly surprising, given you go to sleep in strange places.

Even seemingly normal and mundane locations can be loaded with menace.

What appears to be a safe place of respite isn’t necessarily so.

Like it or not, you’re probably going to have to kill somebody. Or they’re going to kill you.

You think you’re the main character. Until you’re not.

You manage to piss somebody-anybody-off with no apparent effort at all.

You like music. Music doesn’t always like you.

You have the uncanny knack of finding trouble around every corner. Even where none should be.

You don’t listen to somebody’s advice. And things go terribly wrong.

You do listen to somebody’s advice. And things go terribly wrong.

You have good intentions. And things go terribly wrong.

You have bad intentions. And things go terribly wrong.

Anything that can go wrong will go wrong.

Anything that can go right will go wrong.

The woman you like is probably bad for you.

The man you like is probably bad for you.

Everything you do. Probably bad for you.

Staying alert, staying afraid, and staying alive are good policies to go by. The staying alive bit isn’t so easy to achieve.

I could probably go on and on, but I won’t. I’d say you get the gist, and if you’ve read any of my books, short stories etc. then some of this would be pretty familiar. If you haven’t, then what are you waiting for? Get cracking on fixing that.

Goforth and horrify...

JIM GOFORTH HORROR AUTHOR(7)

 

 

HARVESTER’S TRADE/DISQUIET

HARVESTDISQUIET

If you’ve been playing along at home, then you’ll probably be aware that I’ve been doing a little dabbling in some self-publishing. In which case you might also be aware that I set myself something of a challenge (perhaps a foolhardy one, but that remains to be seen) to release at least a book a month this year, be they full length novels, novellas, collections etc.

If you haven’t been playing along at home, you should be all caught up now. Doing some self-pubbing, making potentially ridiculous plans to release a book a month, not just a story, but full books. Got it.

Now, as I mentioned in my original post addressing these notions, these books aren’t all going to brand new, they aren’t going to be things rushed out just to meet the challenge, and it doesn’t essentially mean I will be sitting here crazily trying to bang out a book a month. I have a lot of stuff already written, some complete things, others well on the way to being finished, and a bunch of different ideas. What I will also be doing is compiling an assortment of collections, some which will feature new stories, some which will be themed, some which will see tales drawn from anthologies and publications which didn’t have a very wide readership.

Anyway, two months in and I’m on target so far.

My first foray into self-pubbing land came out in January, with the novella, Harvester’s Trade.

HARVESTER'S TRADE

Ten of the country’s most notorious felons have just been shackled, chained, and blindfolded, and bundled onto a prison bus, with no explanation.
With no knowledge of their destination, this dangerous collective of murderers, rapists, thugs, and violent offenders widely assume they’re being transferred from their current facility to another, or split up and relocated among multiple others. That isn’t the only theory.
Devoid of sight and information these prisoners also suspect they’re bound for other potential fates. Execution. Accidents. Never making it to their assumed transfer facility.
Ultimately, they are all wrong.
Instead, they are being released.
However, it isn’t as simple as it seems. There’s a catch, and it isn’t merely being dumped in the middle of nowhere, miles from civilization, with no food, water or means to protect themselves. From each other, or from anything else.
There are promises of a sanctuary existing somewhere out here in the wilderness, a location where they will be absolved of all their heinous crimes, should they manage to make it there.
Now, dusk is approaching fast and they’re about to discover why nobody wants to be stranded out here once darkness has fallen.

http://smarturl.it/harvesterstrade

Following that, in February, was the collection, Disquiet: An Assemblage of the Unnerving. This book is one of those aforementioned examples of compiling stories derived from previous publications which, for various reasons, slipped under the radar and didn’t hit a large target audience. Granted, some folks will have read some of the stories published in there before, but some will have not. The various books they were in range from niche anthos to battle anthos to books that featured specific themes. Here, they are all gathered together, and while there’s no theme threading them together, their presence all in the same book might afford them a little more visibility than they received in those prior publications. In any case, check it out.

DISQUIET(3)

Disquiet breeds not only in those deep, dark corners and places where we might commonly be frightened to venture into. It isn’t just confined to cemeteries, dark woods, and ominous, abandoned realms, though these are places that heighten those senses of unease.
Fear can spring forth on a simple train trip; it can creep in to pervade a once beloved hideaway, a secret place, it can invade the sanctuary of a happy household. Nowhere is impervious, and nobody is immune. That fear can be irrational, or it can be a portent that something terrible is about to happen.
In Disquiet: An Assemblage of the Unnerving, that lurking fear is wholly justified. Terrible things are going to happen.
Dredged up from the dark, twisted recesses of Jim Goforth’s imagination are the tales contained within this book, each one a different excursion into disquieting domains. From the reserved to the extreme, and everywhere in between, these are stories to horrify, to unsettle, to prove you are right to be afraid.
Though most of these have appeared before, in niche anthologies or publications which had limited readership, they’re now all gathered here together for the first time, in an assemblage of the unnerving.

http://smarturl.it/disquiet

Both of these books have a few variant covers, considering I tinkered around with a couple of things before deciding on which ones to run with. Harvester’s has two different versions, Disquiet has four. Maybe one day I’ll actually post those alternates, and discover folks might have preferred the ones I didn’t elect to use. Who knows?

They’re also definitely in need of a couple of reviews, Disquiet in particular, so if you have read either or both, slapping up a review on Amazon would be highly appreciated. Good, bad, ugly, it doesn’t matter, as long as it’s a genuine review. If you loved them, say so. If you hated them, say so. If you were ambivalent about them, same deal.

If you have read them both, and need something else to read, stay tuned. More books will be coming. At this point in time, there are four separate entities I have for upcoming months, though I haven’t yet decided in which order they will emerge. These include (titles subject to change)-From the Vault, Havoc Vulture, Extremes, and Headbanging Horror. 

And of course, keep your eyes peeled for a variety of other projects which should be surfacing this year, including Triggered, Plebs 3, Rejected For Content 7 and more. None of that is set in stone right now, aside from Triggered which will definitely be coming very, very shortly. As for the rest, we’ll just have to wait and see what time allows.

As always, too many projects I want to get done, never enough time to do them all.

Then there’s the follow-up to Undead Fleshcrave: The Zombie Trigger. I need to get cracking on that one too. My wife keeps asking me when I’m getting that one done, since she has a particular dislike for a character that survived the first book. She wants him dead, and she wants him dead now! So maybe I better keep him around a bit longer.

And on that note, head on over and check out Harvester’s Trade, and Disquiet: An Assemblage of the Unnerving.

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FESTIVAL OF THE FLESH

Plebs was bloody. Riders was bloodier. The Sleep was monstrous and Undead Fleshcrave: The Zombie Trigger was an undead splatterfest.

And Carnival of Chaos was just the beginning of a new venture into bloodshed and brutality.

However, the culmination of that new venture, Festival of the Flesh, makes all of those look somewhat tame in comparison.

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I meant to post about this a little earlier, but inexplicable internet issues resulted in me being offline for a couple of days while my internet provider hustled to find out why their so-called fabulous service was suddenly absolute shit, but in any case, that’s neither here nor there.

If you’ve been playing along at home you’ll know that JEA’s Project 26 has been steadily rolling along, unleashing a series of books every few weeks. Project 26 of course is twenty six books in total, one for each letter of the alphabet, all dropping in completely random order. Among these was Carnival of Chaos (which I’ve rambled on about a little in previous blog posts) emerging on the 6th of October, and introducing folks to an octet of disgruntled ex-carnival workers seeking revenge on the man responsible for their jobless predicament.

On October 21, the second part of the ongoing story revolving around these eight would-be vengeance-seekers, along with a host of others sucked into the maelstrom of escalating violence and peril, surfaced in the form of Festival of the Flesh. This cheerful little excursion into depths of depravity is, as mentioned earlier, perhaps a book that will make Plebs and it’s sequel books seem like a pleasant walk in the park.

Carnival of Chaos definitely has its moments, but it is the foundation of the story, the build-up and setting of various scenes, the introduction of the assortment of miscreant characters that populate this freakish, violent and dangerous landscape. Given where this particular book ends, it should probably come as no surprise that Festival of the Flesh launches into bloodthirsty mayhem almost from the word go and doesn’t let up.

Carnival is occasionally laced with levity, lighter moments and instances of jocularity courtesy of some of the characters, but Festival, not so much. It is grim, bloody, ultra-violent, and keeps the foot on the accelerator throughout. In addition there’s a moment in here serving as a brutal analogy for the reality that the laughter is over. Let’s see if anybody can pick that moment.

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The crew comprised of Loco, Blades, Angelique, Cleo, Stix, Ben, Minx, and Jason have discovered exactly what the Festival of the Flesh is, and the true motivations behind the sinister Mister E. steamrolling their former place of employment under a garish new horror themed carnival entity. Along the way, their reckless and dangerous choices and entanglements have created a snowball effect that has dragged numerous others into the slipstream.

Percy, Jason’s flatmate, a studious, naive fellow, prepared to blindly folow Jason and stick his neck out for him and his friends without fully understanding what he’s involving himself in.

Dawn, gym junkie fitness fanatic blonde who happens to live in the same apartment building as Jason and Percy. Her presence in the right place at the wrong time leads her into a world of deadly obsession, and of course the perverse world of the Festival of the Flesh.

Amber, beachy blonde beauty, with an attachment to Ben, and a distrust of all else. Circumstances have rendered her abandoned and friendless, but for the motley crew that is the ex-carnies, and she’ll do absolutely anything in her power to steer the mission away from entering into the Festival of the Flesh.

Colin Kadogan, Patrick Doolan and Jennifer Brand, police officers tasked by their boss, Chief Cavanaugh to investigate the Carnival, certain that a string of incidents are tied to the new horror creation. Chasing leads on what originally seemed like fairly routine cases, albeit of an unusual nature, these officers of the law are about to be catapulted into nightmarish realms, with Doolan in particular coming face to face with horrendous visions of his past.

And while the malevolent Mister E and his whole sadistic family loom large and threatening over all, behind the scenes lurks another more insidious soul. The demented Desmond Drago, surrounded by ghosts, intent on perversion, damage and bloodshed, stalks in shadows, driven by infatuation and the desire to twist the Festival to his advantage.

While many of these characters and others (including Amber’s duplicitious cordon of former friends) first surfaced during Carnival, they are all on a collision course of violence and horror that will land each and every one of them right in the midst of the Festival of the Flesh.

Come along and join them, but remember, Carnival of Chaos needs to be read first before you throw yourself into the mayhem of the Festival.

I can’t guarantee you’ll have a good time, in fact, I’m pretty sure you’re in for the exact opposite of that.

Available now in paperback and Kindle formats (part of J. Ellington Ashton’s massive Project 26, and most likely the bloodiest of the lot). Should come with several warnings, but doesn’t. Most folks by now should be well aware of what they’re getting into here, and the cover alone should serve as warning enough. This is a bloodsoaked, boobytrapped extreme carnival ride into the sheer depths of depravity and horrific violence. Come prepared.

festival cover

 

Hidden within a seemingly innocuous horror-themed carnival exists something far more disturbing. Where those with dollars and depraved desires find everything they seek catered for.

Hunted by mutant backwoods freaks, pursued relentlessly by the malevolent ringmaster who usurped their former boss, stranded in the deep woodland, and fast running out of options, the remaining few free ex-carnival employees are about to be forced into bloody battle that is only the beginning of a descent into sheer terror.

Having discovered the truth behind the carnival’s existence, these desperate souls know there is only one way to save any of their friends from becoming prized exhibits, and perverse playthings for the sick and bloodthirsty. They must gain entry and take part in the gruesome enterprise that lurks behind the garish trappings and faux horror extravagances of the carnival’s new and improved version.

Blood is going to pour like rain, to a symphony of screams. Bodies are going to stack up. The entertainment to be had here is enjoyed only by the most sadistic and degenerate of souls, and from all walks of life they come, from every corner of society, seeking to indulge their sickest, bloodiest impulses.

Peel away the bright, colourful facade of the carnival and you’ll find the hideous heart that is the Festival of Flesh.

http://smarturl.it/festivaloftheflesh

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CARNIVAL OF CHAOS

Meet the eight souls who used to be employees of a quaint little establishment known by the rather cumbersome name of Chippy the Champ’s Classic Circus and Carnival.

They’ve just turned up to work to find their old boss has inexplicably parted ways with the business, leaving it in the hands of a sinister newcomer with an entourage of brutal staff, and vastly different ideas on how to run his new acquisition.

Not only are most of their old professions likely to be rendered obsolete and not required in the malevolent Mister E’s new vision of a sleek, ultramodern, terrifying Horror Park, but their loyalty to their former employer has them at odds with the new owner from the word go.

Harsh words become physical violence, as assaults and intimidation are carried out upon those unwilling to bend to fit into the new Ringmaster’s grand regime. Threats, sleazy propositions, and warnings that more violence and far worse will follow is just the precursor to all dismissed carnival employees being forced to leave the premises immediately without being allowed any access to personal possessions. There are many terminated employees shown the door on this day, but only these eight make the potentially foolish decision to return at a later date, seeking retribution.

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Angelique. The trapeze artist. Acrobat. Gymnast. A fiery, feisty, compact brunette stunner with a burning desire for revenge. She’s a ringleader, an instigator, and possesses a natural willingness to launch herself into dangerous situations, and the ability to convince others to do likewise.

Ben. The strongman. A six foot five shaven-headed behemoth, comprehensively covered in tattoos, fond of toting around sledgehammers. Powerful, loyal, and keen to right the wrongs he sees perpetuated on his friends. Looks intimidating, but there’s a good heart beneath that muscled, inked exterior.

Minx. The elephant trainer. Blonde and nervous, never a leader, always a follower. The least willing to buy into any vengeful missions, she’s also far too prone to succumb to peer pressure. Born of affluent folks, Minx doesn’t really need a job, but the chance to see her beloved elephants again is a powerful incentive to sway her into joining her wronged co-workers in all they seek to do.

Stix. The clown. With a penchant for food and painfully bright ridiculous clothing, the genial Stix isn’t just a circus or carnival clown at work, he’s a clown in general, fond of pranks and mischief, and a good time all round. More prepared to look for the safer way out of trouble than to plunge headfirst into it, he’s nonetheless also prepared to follow his long-time friends and associates into the pits of hell.

Cleo. The tiger performer. Aloof, statuesque, pierced brunette beauty. With a propensity for profanity, a stubborn streak and a temper, to go with no qualms about speaking her mind, she is among the first of those vowing vengeance on those responsible for the carny crew’s rough treatment.

Blades. The knife man. Short, wiry, and gaunt, Blades is small in stature, but big in intimidation. Blades isn’t merely a catchy nickname plucked out of thin air; this fellow is lethal with anything sharp and carries more concealed knives around than an average armoury. Stix’s sidekick, or more appropriately, vice versa. While Stix brings the jokes and good humour, Blades brings the genuine menace.

Loco. The oddity. The freak. The true ringleader, spearhead and driving force behind all the maelstrom of events the displaced ex-carnival workers find themselves engulfed in. A six foot tattooed, pierced, braided, Mohawked entity Loco is who all the others seek direction from. Looks frightening, genuinely is frightening. Carries around an abundance of secrets.

Jason. The sometime sideshow operator. Jack of all menial trades. Easy-going, metal-loving Jason is the newest member of the Carnival, and not being a true ‘carny’ as such, most likely to be kept around for the new Horror Park vision. Instead, despite being in desperate need of a job, he is first to speak up against those seeking to undo the antiquated notions of the Classic. Quick-thinking, quick-acting, impetuous, impulsive, Jason is the wildcard in the vengeful jobless carnival brigade.

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Spearheaded by the persuasive Loco and Angelique, this intrepid (or insanely foolish) octet bide their time for a week, then meet up once more, with plans to return to the Carnival grounds. Motivated partly by the desire to regain some of the possessions they weren’t allowed to take upon their termination, but mostly by the need to somehow seek vengeance on those they feel wronged them, the disgruntled collective return under cover of the dark.

Soon enough they can see that in that week absent from the place, Mister E, his hordes of workers, and most likely those who elected to remain in the new Ringmaster’s employ have not been idle. Nothing remains of the rustic old, tranquil place of employment they were all used to. In its place is a massive sprawling monstrosity of a creation, a modern Carnival behemoth still in the process of being completely set up. Surrounded by towering chain-link fences topped by barbed wire, this giant entity dwarfs the tiny Classic Carnival it has eclipsed.

This is the Carnival of Chaos, and what they’re about to discover inside is going to change a simple revenge mission into an escalating nightmare of terrifying proportions, where it isn’t just the eight of them being dragged into a slipstream of violence, pain, perversion and unimaginable horror, but many others as well.

 

Carnival of Chaos (which is part of the massive Project 26 creation from J. Ellington Ashton Press) is available now in paperback and Kindle, part one of a two book tale which culminates with Festival of the Flesh (available in two weeks).

CarnivalofChaos

Threatened, assaulted, and ultimately dismissed from their jobs, a group of disgruntled ex-carnival workers swear vengeance on the sinister new boss responsible for their state. Coercing even the most unwilling amongst them to join in on the revenge mission, the collective wait, biding their time before returning to the carnival grounds under cover of darkness. Plans for regaining lost property and enacting some simple retribution swiftly turn deadly when a series of grisly discoveries are made.

Now, having unwittingly involved themselves in something insidious and monstrous, this miscreant collective are being hunted by a relentless force. As more people are sucked into the maelstrom, innocent and nefarious alike, they’re all about to find themselves on an escalating nightmare journey into a brutal world of unimaginable pain and perversion.

Snaring a ticket to this carnival doesn’t ensure fun and frivolity. It only ensures carnage and chaos. Survival is not guaranteed.

http://smarturl.it/carnivalofchaos

 

JUST ANOTHER UPDATE

In the interests of paying a little more attention to this site, I’ll be posting somewhat more regularly around here. Which means you’ll either get something semi-coherent or an utter stream of complete gibberish. For now, we’ll go with an update.

At the tail-end of last year I posted up a pretty comprehensive list of projects and books I planned to work on in 2017, including roughly twelve novels. The good news there is that two of those are just about written (another one-The Sleep, subject of my last post, of course came out in January) and will see the light of day this year. Because these two are both part of a larger project, I’m not at liberty to release anything in the way of details just yet. While I’ve had fun working on these books, they’ve monopolised a lot of time, and honestly, I’ll be glad to get that shit done and squared away. A whole bunch of different factors have meant I haven’t exactly ripped through the latter book in the way I normally would, so trying to get it done has been moderately frustrating. I dig the characters and the story, but to say I’ll be glad to see the back of it is an understatement. While I’ve been pouring what available writing time I have into trying to knock this motherfucker over, I’ve had numerous other projects sitting on the back burner, some with rapidly approaching deadlines. Fair bet there’s a few other things I’d committed to, or wanted to write for, that have had their deadlines elapse now.

Naturally I’ll announce news on these books and release details when I’m able, but for now, rest assured, at least two new books will be coming this year. Initially when I made the list detailing the various novels I had in the works, or plans to delve into, I’d envisioned having a bit more done by this time of year than I have so far, but you know, best laid plans and all that shit…

The various factors and outside aspects that have impacted on my writing time turned this latest book into something of a fucking albatross around my neck, and I’ve felt like I’ve been moving through it more sluggishly than I’d have liked when I actually do get around to doing any scribbling on it. Fortunately, the end is in sight and I can get it cleared and move on to all those other projects that are piling up like a mountain of fucking unpaid bills.

After I finally get that sorted, my first focus will be on a few short stories for various anthologies that have to get written. The bonus there is I have a story lurking insidiously around in my head for the first of those, and ideally I’d have already splattered this one out in fresh blood or what-have-you, but in trying to get the novel completed, I set myself the rule of only working on it until it’s done, so nothing else gets written until then.

Knock those antho commitments out of the way and work shall commence on any number of novels, either already started, or some new fiendish endeavours. One thing is a given. This beast will be in there somewhere…plebspromo3

There will be a sequel to Undead Fleshcrave: The Zombie Trigger somewhere in the mix too, but that will probably be considered sometime after Plebs 3. I did mention on Facebook at some stage that some folks might get to be in one of these two books, at least in terms of appearing as a character, or having a character named after them etc. etc. I recall a pile of people commenting on that particular status nominating themselves to be in the books, but shit, that was a fair while ago and rather than scrolling through the fuckload of posts that have saturated my timeline since then, I might need to do a refresher and see who was keen to get themselves deepsixed (maybe) in either Plebs 3 or The Zombie Trigger 2. Or maybe something else. Who knows?

In other news, the brutal juggernaut that is Rejected For Content will continue to stampede over all and sundry with no remorse, no regard and certainly no signs of slowing down. I made mention of a new disturbing entity that I have brewing which led some to question whether this was going to be something of a replacement for RFC. Short answer, no. Long answer, fuck no.

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Rejected For Content has so many more stories to tell, so many dark corners and recesses to explore, and so many stones to overturn, so there’s no end in sight for that monstrosity. Again, in the interests of involving readers and fans of the series, I might throw open the potential naming or theming of Rejected For Content, to those very people. In fact I already did toss it out there to gauge reactions and see what sort of despicable shit people were keen on seeing for number 6, but nothing officially set in stone. I’ll return to that when the time is right to start building momentum for the RFC machine. So, for all those who fear that Rejected For Content was on it’s last legs, or out the door, or about to fuck off out of here, no need to worry at all. Not only is the open call for RFC6 going to be happening, but so too will something else RFC related. The latter will potentially occur before anything RFC6 does; we’ll see.

As for the other WetWorks entity I made mention of just above and on Facebook leading to those queries about RFC, well, this isn’t going to be a replacement, it’s going to be something completely different and something to run alongside Rejected For Content. I’m looking forward to divulging some information about this, but again, I’m waiting to do that until I clear some projects. I will say this though; it will be extreme, it will be controversial and without doubt it is bound to upset some folks and ruffle a few feathers. I haven’t yet decided whether it is going to be thrown open, or if it will be invite-only, but I am leaning toward the latter. Which means, as I stated on the Facebook status, that some time shortly, I will be actively seeking for collusion and involvement from suitably deranged, disturbed, extreme, perverse sanguinary scribes. I already have a mental list of folk I’m keen on asking-or should that be a list of mentals?-which is why I’m a little keener on making the project an invite-only thing. Primarily because I know that the folk I’m interested in asking to be part of it, can write the type of material I’ll be seeking. Extreme inkslingers who aren’t afraid to get dirty, bloody, offensive, yeah, you get the gist.

That isn’t to say I won’t throw it open at some later stage, we’ll wait and see how this excursion into extremity pans out. As I said, I’m anticipating that it will stir some people up, but then again, everything does these days.

dual depravity initial wrap

Dual Depravity hasn’t been forgotten either; there will be more volumes of that forthcoming at some stage down the track, with various authors getting involved for those books, but for now, fucking projects, lots of projects. Not enough time to get everything done, and of course, me claiming to ease back on the anthos and concentrate on novels this year worked out a treat didn’t it? Committed myself to a pile of those…

Anyway, that’s enough of that. One more chapter to write on this novel and I’m done, so best I get to that.

JIM GOFORTH HORROR AUTHOR(6)

THE SLEEP

As if I needed any more proof that I sorely neglect this WordPress site, how about this? My most recent novel came out in January, and here it is mid-May, and I haven’t mentioned shit about it over here. In my defence, I maintain an assortment of different pages and profiles, and more often than not, this is the one which gets left to rot and fester. In any case, best rectify that now.

January 2017 saw the release of my first novel for the year (there will be at least a couple more coming out this year, but those are still under wraps as far as providing details for them goes). This of course, as most people should already know (unless you use this site to keep update on news-in that case, you wouldn’t have a clue), was The Sleep.

TheSleepFront

This book is my spin on a creature feature of sorts, a monster tale, albeit written in my usual grindhouse splatterpunk style, though it probably is a little more accessible to mainstream horror fans than some of my previous works have been. That isn’t to say it has been toned down in any context, more of a case of the story not quite warranting some of the things that have appeared in prior books.

Here’s the synopsis

Obscure urban legends and monstrous myths abound all over the internet, and none are more obscure or bizarre than the one purported to haunt the strange, remote and oddly named town of Growling and its surrounds.
Here, the communities are plagued by freakish weather phenomena, aberrant lightning and something even worse that arrives in the midst of these irregular storms. Here, all denizens adhere stringently with the unwritten rules of what they all know as The Sleep. Here, the way of life for folk is dictated to by the BeastStorms.
When a group of friends, including an amateur horror film maker, an urban legend and supernatural enthusiast, a sceptic and a journalist, among others, stumble across the vague tale online, each have their own reasons for wanting to discover the veracity of the peculiar legend.
Now, they are on a road trip that’s taken them thousands of miles from their comfortable city existences and right into the domain of The Sleep. Where mistrusting, superstitious locals patrol the neighbourhoods in packs with ominous warnings for intruders and unwelcome passers-through. Where dissenters are run out of town to live as outcasts on the fringes of civilization. Where repercussions are severe for those who don’t take heed of warnings to abide by the rules of the land.
Where unholy storms unlike anything ever experienced before, dredge up something more than insane weather. Something monstrous.
Every so often, among all those many legends easily explainable, or proved to be nothing more than pure hoax, there’s one with more than a kernel of truth to it.

One like the BeastStorms.

The whole concept of this tale is one I’ve had in my head for quite some time, and it was all originally derived from one single image (the base image you see on the whole cover wrap-the old dwellings and the sky). Elements were added by cover artist Michael Fish Fisher to further enhance the aesthetics and fit the theme of the book, but the base image itself, prior to any of that, was enough to conjure up the story in my head before I even started writing it, at least in terms of the mythos, what happened when the Storms came and how people dealt with that. Like most of my work, I didn’t plan it or outline it in any way, shape or form; I had the initial characters, what their motivations were and as usual, I threw them into monstrous situations and let them see how-or if-they could come out of it. Unlike the majority of my other books, I did have some idea on how it was going to end, though even that took something of a turn along the way. In any case, here’s a few things folks have been saying about it.
“The Sleep is a combination of a novel and a horror movie which goes in gonzo directions and yet it all makes sense in the end. This is what novels are supposed to do. As horror, when the evil erupts in almost atomic bomb explosion with everyone in its sights, expect the worst for the worst is there spilling with blood, death, and decapitations. The monsters, both human and monsters, are monsters with little pity.”
Goforth layers his novel with violence, and gore, but there’s a compelling story here. That’s what makes The Sleep so good. It’s a dark, gritty novel that reminds us that it’s the things we can’t see that are the most terrifying. When it comes to horror no one writes like Goforth. This is a guy that takes the genre back to it’s early days of true terror, and suspense, and writes like a man possessed. This is the future of horror and each novel gets him one step closer to mainstream success.”
Jim Goforth never holds back and always packs a hell of a punch.”
If you like horror stories and can handle gore, I highly recommend this entertaining book!”
I have a lot of respect for the writing of Jim Goforth. He can take an action scene, draw you in, keep you gasping for breath, and turn the whole situation in another unexpected direction. This is what he does in The Sleep.
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If any of that sounds right up your alley, snag a copy of The Sleep and check it out. Feel free to drop a review off on Amazon and let me know your thoughts. Good, bad or ugly, all reviews are appreciated.

From the author of Plebs and Undead Fleshcrave: The Zombie Trigger.

Seven intrepid travellers. One obscure tale. One hell of a storm of nightmares.

Some urban legends are true.

http://smarturl.it/thesleep

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WRITING WRAP 2016

2016 has been a prick of a year, not just for a handful of people, but seemingly for most folk across the board. With more ups and downs than a rollercoaster (probably more of those downs), it’s pretty apparent that this is a year most people are keen to see the back of, but that’s not really the purpose of this post. Rather than dwell on any of the less than exemplary experiences that have occurred, either personally, or for many others, this is my 2016 writing wrap.

And in terms of writing, personal output and achievements, 2016 was a stellar year for me.

With the exception of only April, May and June, I had something happening in each month of the year, whether it was the release of novels, stories appearing in anthologies or part of the ongoing Rejected For Content series. In some instances there were at least a couple of things each month with October and December being particularly productive.

My initial thoughts way back in the day that I’d try and follow a template of releasing a novel, then a collection, then novel and following that pattern went way out the window considering I had three novels come out in 2016 and no collections. Granted, two of those full lengths were two separate halves of the same story, and released simultaneously, but all the same, they were lengthy beasts and simply not feasible to put out as one book. As for collections, while I do have a pile of stories to comprise collections, not all of them are brand new and with the amount of anthologies I’ve been involved in, undoubtedly there would be reprints. My stance on collections remains the same-until one is a massively established writer with a whole host of things under their belt, putting out a collection largely comprised of reprints folks have probably already read is a rort. Save that for your greatest hits album. When you’re at the stage of making a greatest hits album, that is. Not a mere couple of years or less into a career. In any case, a collection made up of mostly new stories and a few reprints from niche anthologies and lesser read publications will be on the agenda for next year, but we’ll see what happens with that and where it fits in among all the other things planned for 2017.

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I kicked off the year in January with the release of extreme metal zombie opus Undead Fleshcrave: The Zombie Trigger. Being a splatterpunk/extreme horror take on the whole zombie genre with a constant soundtrack and proliferation of primarily black and death metal driving it, this was always going to be something of a niche book likely to appeal to specific audiences, but a having it reviewed in Metal Hammer magazine was a distinct highlight. Unfortunately with the collapse of Team Rock, it’s likely Metal Hammer and other long-running magazines under that particular blanket won’t exist anymore, so any sequels spawned from Undead Fleshcrave won’t be finding themselves reviewed in those pages.

February saw the release of the very first in a line of battle anthologies, that being the M v F (Male vs Female) books, where a team of male authors captained by John Ledger was pitted against a team of female authors led by Catt Dahman. Simple rules were put in place here; each team were given specific items that had to play a part in their story and a location which it needed to be based in or around, and then each story was voted on by a group of impartial judges with no knowledge on who wrote what. Two books were spawned from this competition, MvF: Deadliest of the Species and MvF: Death Personified. You can catch my tale Lancet, in that latter book.

This was the first of three battle type anthologies I appeared in over the course of 2016, with the other two coming at the tail-end of the year in VS: US vs UK Horror and VampZ vz WolvZ.

In March, the second volume of Tales From the Lake from the always fantastic Crystal Lake Publishing finally emerged after a period of delay (the book was originally slated to be released mid-2015). The story I wrote for this one, Lagos de los Perdidos, was something of a complete departure to my usual splatterpunk, ultra-violent, more extreme end of the scale type material, centering more on a dark emotional side of things. I was one of the judges for the Tales From the Lake competition and almost forgot I was supposed to write a story for the book as well, so this one was written in a mere night or so. All the same, it was definitely one of my favourite stories of the many I penned during the year, and tapped into a different approach to horror, or what most folk might have come to expect from me.

Earlier on I’d jumped onboard with Matt Shaw’s ideas for an Easter themed horror anthology and March also saw the release of that holiday beast, Easter Eggs and Bunny Boilers. In the cheery little tale of mine, When a Bunny Snaps, I introduced a quaint establishment called Fantasy Dress, a costume themed restaurant/bar/club where each holiday of the calendar year sees the female staff dressing appropriately to match said holiday. This was intended to be a one-off, but Matt also pulled together many of the same authors who’d appeared in Bunny Boilers as well as multiple big hitters of the genre for a Christmas antho (or rather, an anti-Christmas antho), so the chance to revisit Fantasy Dress and drop them into festive fuckery was too good to pass up. I’d originally started writing a completely different Christmas horror story and then left it to pen a completely new one which would focus around Fantasy Dress instead.

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In the next few months, I was mostly busy with working on the follow-up books to Plebs and the fourth volume of the Rejected For Content series. In July, Rejected For Content 4: Highway To Hell burst forth in a fiery inferno of the grotesque and the grisly, and in the following month, the sequels to Plebs finally appeared, over two years since that first book (and my debut novel) was released. Riders was split into two books (Riders: Plebs 2-Book One and Riders: Plebs 2-Book Two) because it was an enormous sonofabitch on completion, well over the 180k length that Plebs was. It simply wasn’t viable to put it out as one book, even after extensive cuts. In any case, readers who are familiar with Plebs might, or might not, know what to expect from these books. Brutal, explicit, bloody, yeah, you know the drill. Or if not, dive in and see what it’s all about. Those who have managed to catch up with the latest exploits of the Riders are already calling for a return, so rest assured, that will be on the agenda at some time in the future, hopefully sooner rather than later. Those who have read Plebs, but haven’t yet ventured into Riders, best get into it now.

I was initially planning to write a bit of a spiel on each tale I had published during the year, but as is generally the case, I’m pretty pressed for time as it is, with projects banking up for the new year and it’s fair to say I’ve been a little slack with writing much of anything over the Christmas period, so I’ve got a hell of a lot I need to get done. So with that in mind, rather than go into any more detail, I will just post a list of everything that came out during the year. You’ll be able to see from that list, the rest of the year was pretty hectic as well, particularly around the end of it. I’ll revisit some of the stories I didn’t get around to saying anything about later, but for now I’ve messed around enough in the way of not getting solid words written on anything productive the last week or so.

So, without any more preamble, here’s the list of published works I had, or appeared in, during 2016. Story names from anthologies listed in italics.

Undead Fleshcrave: The Zombie Trigger January 8 (novel)

M v F: Death Personified (Males vs Females Book 2)Lancet Feb 27

Tales From the Lake Vol 2Lago de los Perdidos, Mar 11

Easter Eggs and Bunny Boilers: A Horror AnthologyWhen a Bunny Snaps, Mar 27

Rejected For Content 4: Highway to Hell July 15 Editor

Riders: Plebs 2-Book One Aug 20 (novel)

Riders: Plebs 2-Book Two Aug 20 (novel)

Drowning in GoreMarshlands Malice, Sep 20

TrashedStrange Old Brew, Oct 3

Dual Depravity Volume One (WetWorks Presents)-with John Ledger Oct 7

Horror Anthology 2016 (Moon Books Presents)-Cavedwellers, Oct 13

Full Moon SlaughterHour of the Wolf, Nov 1

Bah Humbug! An Anthology of Christmas Horror StoriesMental Elf, Nov 27

VS: US vs UK Horror Line Dancing at Hack House, Dec 1

Rejected For Content 5: Sanitarium Dec 8, Editor

VampZ vz WolvZDinner Interruptus, Dec 14

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Fairly reasonable year happening there, a lot of stuff got done. And although I say the same thing every single year, regarding cutting down on anthologies and focusing on my novel projects and so forth, I’ve already committed myself to a pile next year, so rest assured you will see a list of similar length, or even longer, surface around this time in 2017.

Here’s a brief rundown of projects earmarked for next year or ones I’m already working on (or at least those projects I’m at liberty to disclose right now).

January 2017 will have a monstrous start to it. First cab off the rank for me is going to be The Sleep, a new novel that isn’t affiliated with Plebs, Undead Fleshcrave or anything like that at all. Instead, it’s something completely different, a creature feature if you will, or monster type book, albeit soaked in my grindhouse splatterpunk stylings.

Then there will be an appearance with a bonus short story in Matt Shaw’s highly anticipated release The Devil’s Guests, out in February. I will also be appearing in another of Matt’s projects later on in the year, a huge project that already has a hell of an excellent line-up with more authors slated to join the TOC over the coming months.

Alongside a host of anthologies which haven’t yet had details released to the public, I’ll also have stories in Suburban Secrets 3: Home Invasion, Sweet Dreams from Anthology House and another VS project, and that’s just a few of those I can make mention of, two of which are already written for and sorted, ready to roll. No doubt there are also going to be myriad open calls spring up throughout the year I’ll be interested in submitting to, so that resolve to steer clear of anthologies is just something I’m going to concede is probably never likely to happen.

There will also be no less than three Rejected For Content creations (and only one of these will be the next volume in the series-that will be number 6, currently untitled. I’m thinking I may involve fans of the series to conjure up what sort of loose theme they’d like to see explored).

I already mentioned another collection, and depending on how much time I end up with to be able to put it together, that could see the light of day in 2017. I have a body of new stories, as well as those aforementioned reprints from publications that didn’t receive a wide readership on release, that will comprise said new collection.

Aside from that, Dual Depravity Volume Two (with Dawn Cano) will be happening, and I also have plans for a musical-themed anthology focusing on a specific band (and either one of their classic albums, or drawing inspiration from several of their albums). There are actually numerous bands and albums I’d love to be able to do anthologies revolving around in this manner, but again, time is a factor. Deadlines for other projects are already looming, so the focus is going to have to be with them first, then we’ll see where I end up.

In terms of novels, here’s a brief rundown on what I’m working on or will be working on over the course of the year. At this point in time only The Sleep is a definite release but two of the following have deadlines and are slated for 2017 release, so you can expect no less than three novels from me, maybe more. (Most of these are working titles only and are subject to change)

The Sleep

Carnival (abbreviated title)

Festival (abbreviated title)

Tyler Flynn

Plebs 3

Global Death: The Zombie Trigger 2

Murder Academy

Aground

Johnny Fox and the Werewolves

Neighborhood

Lycan Gang

Degenerate Children

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There are also some plans to venture back into worlds already established in a couple of previously published short stories and make full length novels, or at very least novellas, from them, but again, we’ll see if time permits that or whether they’ll become future projects further down the track.

That’s a rough idea of how many novels I already have started work on, completed work on or am near to completing, and that’s without being beset by new ideas. Without a doubt I’ll also be compelled to randomly start new novels out of the blue which aren’t on this list or have absolutely nothing to do with any of the works or planned works already mentioned. That’s how inspiration hits me. Could be the slightest thing, a single picture, a snippet of conversation, a song, anything, and I’ll have the ideas for a new book cooking up a horrific story. The whole idea of The Sleep sprang from one single image and it’s not unusual for me to find an entire book right there in one solitary picture.

I also meant to make mention of this earlier on, but naturally got carried away with talking gibberish. 2016 also saw me crack the top 100 in Most Popular Horror Authors on Amazon, which is largely due to that prolific output, as well as the Rejected For Content series and appearances in a string of successful anthologies. Reaching number 68 has been my peak so far, but I’ve been in there for a month or so, so we’ll see if I can round out the year by staying in there and climbing higher next year with a slew of bloodsoaked releases.

Stay tuned. 2017 is going to be a hell of a ride.