Posts Tagged ‘extreme’


Cast your mind back a little to last year, and you’ll probably recall I mentioned something about a new experiment in extremity coming along some time in the future, from the twisted folks at WetWorks who brought you Rejected For Content (note-that means me; I am WetWorks, for those who weren’t aware, so technically, that phrasing was a little incorrect, but you get the gist).

Of course, that occasionally referred to experiment is Triggered, which as the name itself might suggest, is pretty self-explanatory in terms of its agenda, though not in terms of deliberately trying to push triggers, but more a case of exploring them, the reasons behind them and so forth.

triggered full wrap

I originally had the idea for Triggered (and also bandied around the notion of calling it Triggers, before settling on Triggered) quite some time ago, but due to the amount of other projects and things going on at the time-namely, Project 26 and associated works-I just sat on it for a while, before tossing it out there. I also considered making it an invite only anthology, since I know of plenty of folks who would do the theme justice, but ultimately I threw it open to anybody, which was definitely the way to go. I have no problem with invite only anthos, but in ensuring writers bring their A-game to something like that rather than just phoning it in because it’s a pretty safe bet they’re going to be in the book regardless, I always prefer the stipulation that just because you’re invited to submit doesn’t essentially mean the story is going to be accepted. Knowing you’re going to appear in a book opens up that possibility of scribbling a somewhat less than stellar piece or something below the standard of your usual work, so taking that assurance away and keeping everything on a level playing field makes writers strive to produce better work. Any future invite only anthos I run-if I ever decide to run any, that is-will be run like this. Yeah, you’re invited, but that in itself is no guarantee the story will get in.

Anyway, I’m completely off-track. Triggered was meant to be an invite-only entity, but it didn’t turn out that way, and I’m more than happy I did open it up because in the process of taking submissions I encountered several writers I wasn’t familiar with who brought some great work to the table. Some of the usual reprobates who I suspected would be right onboard with taking part in a project such as this also offered up some suitably macabre pieces which fit the theme well, each of the ultimately accepted works providing some very unique takes on the whole Triggered notion.

The concept of Triggered was not to deliberately seek out things that would be blatantly offensive, or solely intended to set people’s triggers off, or anything along those lines, but rather to delve deeper into what triggers various people, the reasons behind them, how different people react when faced with those things that trigger them. In this day and age, seemingly more so than ever, anything can serve as a trigger in some capacity. We have to be mindful of what we do, what we say, how we treat people, how we approach situations, because somewhere, somehow, something in there might flip a switch. Past experiences, overheard words, misconstrued actions, poor choices, a bad hand in life, comparisons, simple conversations through social media, all kinds of things, you name it. Anything can be a trigger to somebody, and unless you’re well aware of what might set it off, you’re not going to know until it is too late.


After almost a month of being out, the book has been doing well, sitting up the top of the Hot New Releases in Horror Anthologies in both the USA and the UK for a period, and as hoped, drawing mixed reactions from readers. I don’t want all five star reviews and praise and all that sort of shit; I want folks to make deeper explorations of the tales and garner some understanding about triggers, I want an assortment of responses, and if that means people hate it, that works great for me. Eliciting and provoking responses from either end of the scale is what it is all about; yes, it is ultimately entertainment, but it is horrifying entertainment and it exists to horrify you, but to make you think as well. Read the book, and walk away with something from it, regardless of what it is, as long as it made you feel something. Nothing in Triggered is supposed to make you feel comfortable, and I’d suggest the scribes who presented pieces that appear in these pages do a fine job of ensuring that is the case.

In other Triggered related information, some have asked whether this new experiment is a successor or replacement for the Rejected For Content series. The answer to that is, no. There is still a lot of life in RFC, and a vast array of possibilities for that particular series to explore. After six volumes Rejected For Content is still going strong, still drawing in new readers, and still introducing new scribes with material that should most definitely be rejected on the grounds of content. However, given the amount of time I’m investing in various other projects-if you keep up to date with this site, you’ll probably have something of an idea of some of those-I wouldn’t suggest that RFC is essentially going to be a yearly release as it has been over the last few volumes. Rest assured, Rejected For Content 7 will still be coming, but I’m not going to boldly-or perhaps foolishly-predict when. There is every chance, with the tasks I’ve set for myself in 2018, that RFC7 will not be a major priority until much later in the year, if at all. But yes, RFC remains in WetWorks plans, there is much to do with it and it’s been a juggernaut that can’t yet be stopped.

As for Triggered, it remains to be seen whether that is going to extend to a series or not; I haven’t yet decided. It was initially intended to be an experiment, and it’s been a fairly successful one so far. What happens from this point on, we’ll wait and see. In the meantime before Triggered 2, or Re-Triggered, or Triggered Again, or I could be here all fucking day playing this silly title game, is even brought up in conversation, head on over and check out the prototype-Triggered itself.

Triggers. Everybody has them.

Some traumatic life event. A phobia. Something brought on by anxiety. Fear. Loneliness. Desperation. Desire. Rage. Memories. Hatred.

It’s how we react to them that shapes us.
Will they break us, leave us curled up and lost, helpless and hopeless? Or will they be the catalyst in making us snap? Triggered to run riot and rampage?

Different triggers engender different responses. They can be completely anticipated, they can be unexpected. They can be mystifying. They can be horrifying. They can be deadly. Sometimes they can be switched on, never to be turned off.

Everybody has triggers. Anything can set them off.


Some books come labelled with a trigger warning to advise readers that the material contained within has the potential to generate unpleasant responses.

This book however, has no such thing.

Instead, the whole work in its entirety is one great big trigger warning.








If you’ve been playing along at home, then you’ll probably be aware that I’ve been doing a little dabbling in some self-publishing. In which case you might also be aware that I set myself something of a challenge (perhaps a foolhardy one, but that remains to be seen) to release at least a book a month this year, be they full length novels, novellas, collections etc.

If you haven’t been playing along at home, you should be all caught up now. Doing some self-pubbing, making potentially ridiculous plans to release a book a month, not just a story, but full books. Got it.

Now, as I mentioned in my original post addressing these notions, these books aren’t all going to brand new, they aren’t going to be things rushed out just to meet the challenge, and it doesn’t essentially mean I will be sitting here crazily trying to bang out a book a month. I have a lot of stuff already written, some complete things, others well on the way to being finished, and a bunch of different ideas. What I will also be doing is compiling an assortment of collections, some which will feature new stories, some which will be themed, some which will see tales drawn from anthologies and publications which didn’t have a very wide readership.

Anyway, two months in and I’m on target so far.

My first foray into self-pubbing land came out in January, with the novella, Harvester’s Trade.


Ten of the country’s most notorious felons have just been shackled, chained, and blindfolded, and bundled onto a prison bus, with no explanation.
With no knowledge of their destination, this dangerous collective of murderers, rapists, thugs, and violent offenders widely assume they’re being transferred from their current facility to another, or split up and relocated among multiple others. That isn’t the only theory.
Devoid of sight and information these prisoners also suspect they’re bound for other potential fates. Execution. Accidents. Never making it to their assumed transfer facility.
Ultimately, they are all wrong.
Instead, they are being released.
However, it isn’t as simple as it seems. There’s a catch, and it isn’t merely being dumped in the middle of nowhere, miles from civilization, with no food, water or means to protect themselves. From each other, or from anything else.
There are promises of a sanctuary existing somewhere out here in the wilderness, a location where they will be absolved of all their heinous crimes, should they manage to make it there.
Now, dusk is approaching fast and they’re about to discover why nobody wants to be stranded out here once darkness has fallen.

Following that, in February, was the collection, Disquiet: An Assemblage of the Unnerving. This book is one of those aforementioned examples of compiling stories derived from previous publications which, for various reasons, slipped under the radar and didn’t hit a large target audience. Granted, some folks will have read some of the stories published in there before, but some will have not. The various books they were in range from niche anthos to battle anthos to books that featured specific themes. Here, they are all gathered together, and while there’s no theme threading them together, their presence all in the same book might afford them a little more visibility than they received in those prior publications. In any case, check it out.


Disquiet breeds not only in those deep, dark corners and places where we might commonly be frightened to venture into. It isn’t just confined to cemeteries, dark woods, and ominous, abandoned realms, though these are places that heighten those senses of unease.
Fear can spring forth on a simple train trip; it can creep in to pervade a once beloved hideaway, a secret place, it can invade the sanctuary of a happy household. Nowhere is impervious, and nobody is immune. That fear can be irrational, or it can be a portent that something terrible is about to happen.
In Disquiet: An Assemblage of the Unnerving, that lurking fear is wholly justified. Terrible things are going to happen.
Dredged up from the dark, twisted recesses of Jim Goforth’s imagination are the tales contained within this book, each one a different excursion into disquieting domains. From the reserved to the extreme, and everywhere in between, these are stories to horrify, to unsettle, to prove you are right to be afraid.
Though most of these have appeared before, in niche anthologies or publications which had limited readership, they’re now all gathered here together for the first time, in an assemblage of the unnerving.

Both of these books have a few variant covers, considering I tinkered around with a couple of things before deciding on which ones to run with. Harvester’s has two different versions, Disquiet has four. Maybe one day I’ll actually post those alternates, and discover folks might have preferred the ones I didn’t elect to use. Who knows?

They’re also definitely in need of a couple of reviews, Disquiet in particular, so if you have read either or both, slapping up a review on Amazon would be highly appreciated. Good, bad, ugly, it doesn’t matter, as long as it’s a genuine review. If you loved them, say so. If you hated them, say so. If you were ambivalent about them, same deal.

If you have read them both, and need something else to read, stay tuned. More books will be coming. At this point in time, there are four separate entities I have for upcoming months, though I haven’t yet decided in which order they will emerge. These include (titles subject to change)-From the Vault, Havoc Vulture, Extremes, and Headbanging Horror. 

And of course, keep your eyes peeled for a variety of other projects which should be surfacing this year, including Triggered, Plebs 3, Rejected For Content 7 and more. None of that is set in stone right now, aside from Triggered which will definitely be coming very, very shortly. As for the rest, we’ll just have to wait and see what time allows.

As always, too many projects I want to get done, never enough time to do them all.

Then there’s the follow-up to Undead Fleshcrave: The Zombie Trigger. I need to get cracking on that one too. My wife keeps asking me when I’m getting that one done, since she has a particular dislike for a character that survived the first book. She wants him dead, and she wants him dead now! So maybe I better keep him around a bit longer.

And on that note, head on over and check out Harvester’s Trade, and Disquiet: An Assemblage of the Unnerving.


In the interests of paying a little more attention to this site, I’ll be posting somewhat more regularly around here. Which means you’ll either get something semi-coherent or an utter stream of complete gibberish. For now, we’ll go with an update.

At the tail-end of last year I posted up a pretty comprehensive list of projects and books I planned to work on in 2017, including roughly twelve novels. The good news there is that two of those are just about written (another one-The Sleep, subject of my last post, of course came out in January) and will see the light of day this year. Because these two are both part of a larger project, I’m not at liberty to release anything in the way of details just yet. While I’ve had fun working on these books, they’ve monopolised a lot of time, and honestly, I’ll be glad to get that shit done and squared away. A whole bunch of different factors have meant I haven’t exactly ripped through the latter book in the way I normally would, so trying to get it done has been moderately frustrating. I dig the characters and the story, but to say I’ll be glad to see the back of it is an understatement. While I’ve been pouring what available writing time I have into trying to knock this motherfucker over, I’ve had numerous other projects sitting on the back burner, some with rapidly approaching deadlines. Fair bet there’s a few other things I’d committed to, or wanted to write for, that have had their deadlines elapse now.

Naturally I’ll announce news on these books and release details when I’m able, but for now, rest assured, at least two new books will be coming this year. Initially when I made the list detailing the various novels I had in the works, or plans to delve into, I’d envisioned having a bit more done by this time of year than I have so far, but you know, best laid plans and all that shit…

The various factors and outside aspects that have impacted on my writing time turned this latest book into something of a fucking albatross around my neck, and I’ve felt like I’ve been moving through it more sluggishly than I’d have liked when I actually do get around to doing any scribbling on it. Fortunately, the end is in sight and I can get it cleared and move on to all those other projects that are piling up like a mountain of fucking unpaid bills.

After I finally get that sorted, my first focus will be on a few short stories for various anthologies that have to get written. The bonus there is I have a story lurking insidiously around in my head for the first of those, and ideally I’d have already splattered this one out in fresh blood or what-have-you, but in trying to get the novel completed, I set myself the rule of only working on it until it’s done, so nothing else gets written until then.

Knock those antho commitments out of the way and work shall commence on any number of novels, either already started, or some new fiendish endeavours. One thing is a given. This beast will be in there somewhere…plebspromo3

There will be a sequel to Undead Fleshcrave: The Zombie Trigger somewhere in the mix too, but that will probably be considered sometime after Plebs 3. I did mention on Facebook at some stage that some folks might get to be in one of these two books, at least in terms of appearing as a character, or having a character named after them etc. etc. I recall a pile of people commenting on that particular status nominating themselves to be in the books, but shit, that was a fair while ago and rather than scrolling through the fuckload of posts that have saturated my timeline since then, I might need to do a refresher and see who was keen to get themselves deepsixed (maybe) in either Plebs 3 or The Zombie Trigger 2. Or maybe something else. Who knows?

In other news, the brutal juggernaut that is Rejected For Content will continue to stampede over all and sundry with no remorse, no regard and certainly no signs of slowing down. I made mention of a new disturbing entity that I have brewing which led some to question whether this was going to be something of a replacement for RFC. Short answer, no. Long answer, fuck no.


Rejected For Content has so many more stories to tell, so many dark corners and recesses to explore, and so many stones to overturn, so there’s no end in sight for that monstrosity. Again, in the interests of involving readers and fans of the series, I might throw open the potential naming or theming of Rejected For Content, to those very people. In fact I already did toss it out there to gauge reactions and see what sort of despicable shit people were keen on seeing for number 6, but nothing officially set in stone. I’ll return to that when the time is right to start building momentum for the RFC machine. So, for all those who fear that Rejected For Content was on it’s last legs, or out the door, or about to fuck off out of here, no need to worry at all. Not only is the open call for RFC6 going to be happening, but so too will something else RFC related. The latter will potentially occur before anything RFC6 does; we’ll see.

As for the other WetWorks entity I made mention of just above and on Facebook leading to those queries about RFC, well, this isn’t going to be a replacement, it’s going to be something completely different and something to run alongside Rejected For Content. I’m looking forward to divulging some information about this, but again, I’m waiting to do that until I clear some projects. I will say this though; it will be extreme, it will be controversial and without doubt it is bound to upset some folks and ruffle a few feathers. I haven’t yet decided whether it is going to be thrown open, or if it will be invite-only, but I am leaning toward the latter. Which means, as I stated on the Facebook status, that some time shortly, I will be actively seeking for collusion and involvement from suitably deranged, disturbed, extreme, perverse sanguinary scribes. I already have a mental list of folk I’m keen on asking-or should that be a list of mentals?-which is why I’m a little keener on making the project an invite-only thing. Primarily because I know that the folk I’m interested in asking to be part of it, can write the type of material I’ll be seeking. Extreme inkslingers who aren’t afraid to get dirty, bloody, offensive, yeah, you get the gist.

That isn’t to say I won’t throw it open at some later stage, we’ll wait and see how this excursion into extremity pans out. As I said, I’m anticipating that it will stir some people up, but then again, everything does these days.

dual depravity initial wrap

Dual Depravity hasn’t been forgotten either; there will be more volumes of that forthcoming at some stage down the track, with various authors getting involved for those books, but for now, fucking projects, lots of projects. Not enough time to get everything done, and of course, me claiming to ease back on the anthos and concentrate on novels this year worked out a treat didn’t it? Committed myself to a pile of those…

Anyway, that’s enough of that. One more chapter to write on this novel and I’m done, so best I get to that.




Between writing, editing, all the usual day to day shit I do, running WetWorks and maintaining a presence across a variety of platforms, it would be fair to say this poor old WordPress site has been immensely neglected. In fact, this will be the first post of the year for the abandoned fucker. Last time I was around here making any mention of anything, it was knocking up the extensive playlist for Undead Fleshcrave: The Zombie Trigger (which came out in January of this year by the way. If you haven’t read it yet, grab a copy, slap some corpse paint and spiked gauntlets on, crank the volume to maximum and dive in).

In some of the time elapsed between then and now I was immersed in the process of putting together the fourth volume of the extremely well received (I’d say bestselling, but I’m opposed to being one of those knobs) Rejected For Content series. This time around, we’re riding the Highway To Hell.



This beast came out just under a month ago and like all of the series so far has lodged its gruesome carcass in the top 100 and is remaining there, maintaining the notion that folks simply love extremes and just can’t get enough. Which is excellent, because let me assure you, there’s no end in sight for this series, though there may be a couple of other projects I have in mind which are related to the whole concept. I’ll definitely be keeping people posted, but anything like that will come after Rejected For Content 5 has been released. Speaking of which, an open call for submissions for that very creature will be happening quite shortly, so all interested parties would be best advised to keep their eyes peeled for that one.

In the meantime, swing around and get your mitts on the latest installment of the grisly, the gory, the explicit, the shit that other publishers are liable to reject on the grounds of content. Featuring some usual suspects, some completely new faces, some up and comers and a couple of scribes who have had the unique ability to pop up in each volume of the series so far.



Rejected For Content 4: Highway to Hell.

Some roads lead to fame and fortune. Some roads lead to safety and sanctuary. Some roads lead to misery and suffering. Some roads lead nowhere. And some roads lead straight to hell.

Come along for the ride if you dare, as Rejected for Content 4 takes you down roads with only one true destination awaiting at the end. Ride actual roads with damaged, deranged souls, and travel along the highways of the mind where psychosis, darkness, and the depths of brutality and perversion dwell.

These stories have all been rejected for content: these stories will all take you on the highway to hell. It’s a long way down.

Featuring K. Trap Jones, Eric LaRocca, Essel Pratt, T.S. Woolard, Amanda M. Lyons, Brian Glossup, Kindra Sowder, John Ledger, Jonathan Edward Ondrashek, James Longmore, S. A. Mckernan, David Owain Hughes, Rebecca Kolodziej, Michael Fisher, Rebecca Pate, Peter Oliver Wonder, Josh Davis, Roma Gray, Lyndon D. Johnson, G. Zimmerman, Mark Woods, William Bradley, Jay Helmstutler, and Toneye Eyenot.

Warning: Strong violence, explicit sex, coarse language, blood, and gore.