Archive for October, 2017

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FESTIVAL OF THE FLESH

Plebs was bloody. Riders was bloodier. The Sleep was monstrous and Undead Fleshcrave: The Zombie Trigger was an undead splatterfest.

And Carnival of Chaos was just the beginning of a new venture into bloodshed and brutality.

However, the culmination of that new venture, Festival of the Flesh, makes all of those look somewhat tame in comparison.

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I meant to post about this a little earlier, but inexplicable internet issues resulted in me being offline for a couple of days while my internet provider hustled to find out why their so-called fabulous service was suddenly absolute shit, but in any case, that’s neither here nor there.

If you’ve been playing along at home you’ll know that JEA’s Project 26 has been steadily rolling along, unleashing a series of books every few weeks. Project 26 of course is twenty six books in total, one for each letter of the alphabet, all dropping in completely random order. Among these was Carnival of Chaos (which I’ve rambled on about a little in previous blog posts) emerging on the 6th of October, and introducing folks to an octet of disgruntled ex-carnival workers seeking revenge on the man responsible for their jobless predicament.

On October 21, the second part of the ongoing story revolving around these eight would-be vengeance-seekers, along with a host of others sucked into the maelstrom of escalating violence and peril, surfaced in the form of Festival of the Flesh. This cheerful little excursion into depths of depravity is, as mentioned earlier, perhaps a book that will make Plebs and it’s sequel books seem like a pleasant walk in the park.

Carnival of Chaos definitely has its moments, but it is the foundation of the story, the build-up and setting of various scenes, the introduction of the assortment of miscreant characters that populate this freakish, violent and dangerous landscape. Given where this particular book ends, it should probably come as no surprise that Festival of the Flesh launches into bloodthirsty mayhem almost from the word go and doesn’t let up.

Carnival is occasionally laced with levity, lighter moments and instances of jocularity courtesy of some of the characters, but Festival, not so much. It is grim, bloody, ultra-violent, and keeps the foot on the accelerator throughout. In addition there’s a moment in here serving as a brutal analogy for the reality that the laughter is over. Let’s see if anybody can pick that moment.

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The crew comprised of Loco, Blades, Angelique, Cleo, Stix, Ben, Minx, and Jason have discovered exactly what the Festival of the Flesh is, and the true motivations behind the sinister Mister E. steamrolling their former place of employment under a garish new horror themed carnival entity. Along the way, their reckless and dangerous choices and entanglements have created a snowball effect that has dragged numerous others into the slipstream.

Percy, Jason’s flatmate, a studious, naive fellow, prepared to blindly folow Jason and stick his neck out for him and his friends without fully understanding what he’s involving himself in.

Dawn, gym junkie fitness fanatic blonde who happens to live in the same apartment building as Jason and Percy. Her presence in the right place at the wrong time leads her into a world of deadly obsession, and of course the perverse world of the Festival of the Flesh.

Amber, beachy blonde beauty, with an attachment to Ben, and a distrust of all else. Circumstances have rendered her abandoned and friendless, but for the motley crew that is the ex-carnies, and she’ll do absolutely anything in her power to steer the mission away from entering into the Festival of the Flesh.

Colin Kadogan, Patrick Doolan and Jennifer Brand, police officers tasked by their boss, Chief Cavanaugh to investigate the Carnival, certain that a string of incidents are tied to the new horror creation. Chasing leads on what originally seemed like fairly routine cases, albeit of an unusual nature, these officers of the law are about to be catapulted into nightmarish realms, with Doolan in particular coming face to face with horrendous visions of his past.

And while the malevolent Mister E and his whole sadistic family loom large and threatening over all, behind the scenes lurks another more insidious soul. The demented Desmond Drago, surrounded by ghosts, intent on perversion, damage and bloodshed, stalks in shadows, driven by infatuation and the desire to twist the Festival to his advantage.

While many of these characters and others (including Amber’s duplicitious cordon of former friends) first surfaced during Carnival, they are all on a collision course of violence and horror that will land each and every one of them right in the midst of the Festival of the Flesh.

Come along and join them, but remember, Carnival of Chaos needs to be read first before you throw yourself into the mayhem of the Festival.

I can’t guarantee you’ll have a good time, in fact, I’m pretty sure you’re in for the exact opposite of that.

Available now in paperback and Kindle formats (part of J. Ellington Ashton’s massive Project 26, and most likely the bloodiest of the lot). Should come with several warnings, but doesn’t. Most folks by now should be well aware of what they’re getting into here, and the cover alone should serve as warning enough. This is a bloodsoaked, boobytrapped extreme carnival ride into the sheer depths of depravity and horrific violence. Come prepared.

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Hidden within a seemingly innocuous horror-themed carnival exists something far more disturbing. Where those with dollars and depraved desires find everything they seek catered for.

Hunted by mutant backwoods freaks, pursued relentlessly by the malevolent ringmaster who usurped their former boss, stranded in the deep woodland, and fast running out of options, the remaining few free ex-carnival employees are about to be forced into bloody battle that is only the beginning of a descent into sheer terror.

Having discovered the truth behind the carnival’s existence, these desperate souls know there is only one way to save any of their friends from becoming prized exhibits, and perverse playthings for the sick and bloodthirsty. They must gain entry and take part in the gruesome enterprise that lurks behind the garish trappings and faux horror extravagances of the carnival’s new and improved version.

Blood is going to pour like rain, to a symphony of screams. Bodies are going to stack up. The entertainment to be had here is enjoyed only by the most sadistic and degenerate of souls, and from all walks of life they come, from every corner of society, seeking to indulge their sickest, bloodiest impulses.

Peel away the bright, colourful facade of the carnival and you’ll find the hideous heart that is the Festival of Flesh.

http://smarturl.it/festivaloftheflesh

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CARNIVAL OF CHAOS

Meet the eight souls who used to be employees of a quaint little establishment known by the rather cumbersome name of Chippy the Champ’s Classic Circus and Carnival.

They’ve just turned up to work to find their old boss has inexplicably parted ways with the business, leaving it in the hands of a sinister newcomer with an entourage of brutal staff, and vastly different ideas on how to run his new acquisition.

Not only are most of their old professions likely to be rendered obsolete and not required in the malevolent Mister E’s new vision of a sleek, ultramodern, terrifying Horror Park, but their loyalty to their former employer has them at odds with the new owner from the word go.

Harsh words become physical violence, as assaults and intimidation are carried out upon those unwilling to bend to fit into the new Ringmaster’s grand regime. Threats, sleazy propositions, and warnings that more violence and far worse will follow is just the precursor to all dismissed carnival employees being forced to leave the premises immediately without being allowed any access to personal possessions. There are many terminated employees shown the door on this day, but only these eight make the potentially foolish decision to return at a later date, seeking retribution.

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Angelique. The trapeze artist. Acrobat. Gymnast. A fiery, feisty, compact brunette stunner with a burning desire for revenge. She’s a ringleader, an instigator, and possesses a natural willingness to launch herself into dangerous situations, and the ability to convince others to do likewise.

Ben. The strongman. A six foot five shaven-headed behemoth, comprehensively covered in tattoos, fond of toting around sledgehammers. Powerful, loyal, and keen to right the wrongs he sees perpetuated on his friends. Looks intimidating, but there’s a good heart beneath that muscled, inked exterior.

Minx. The elephant trainer. Blonde and nervous, never a leader, always a follower. The least willing to buy into any vengeful missions, she’s also far too prone to succumb to peer pressure. Born of affluent folks, Minx doesn’t really need a job, but the chance to see her beloved elephants again is a powerful incentive to sway her into joining her wronged co-workers in all they seek to do.

Stix. The clown. With a penchant for food and painfully bright ridiculous clothing, the genial Stix isn’t just a circus or carnival clown at work, he’s a clown in general, fond of pranks and mischief, and a good time all round. More prepared to look for the safer way out of trouble than to plunge headfirst into it, he’s nonetheless also prepared to follow his long-time friends and associates into the pits of hell.

Cleo. The tiger performer. Aloof, statuesque, pierced brunette beauty. With a propensity for profanity, a stubborn streak and a temper, to go with no qualms about speaking her mind, she is among the first of those vowing vengeance on those responsible for the carny crew’s rough treatment.

Blades. The knife man. Short, wiry, and gaunt, Blades is small in stature, but big in intimidation. Blades isn’t merely a catchy nickname plucked out of thin air; this fellow is lethal with anything sharp and carries more concealed knives around than an average armoury. Stix’s sidekick, or more appropriately, vice versa. While Stix brings the jokes and good humour, Blades brings the genuine menace.

Loco. The oddity. The freak. The true ringleader, spearhead and driving force behind all the maelstrom of events the displaced ex-carnival workers find themselves engulfed in. A six foot tattooed, pierced, braided, Mohawked entity Loco is who all the others seek direction from. Looks frightening, genuinely is frightening. Carries around an abundance of secrets.

Jason. The sometime sideshow operator. Jack of all menial trades. Easy-going, metal-loving Jason is the newest member of the Carnival, and not being a true ‘carny’ as such, most likely to be kept around for the new Horror Park vision. Instead, despite being in desperate need of a job, he is first to speak up against those seeking to undo the antiquated notions of the Classic. Quick-thinking, quick-acting, impetuous, impulsive, Jason is the wildcard in the vengeful jobless carnival brigade.

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Spearheaded by the persuasive Loco and Angelique, this intrepid (or insanely foolish) octet bide their time for a week, then meet up once more, with plans to return to the Carnival grounds. Motivated partly by the desire to regain some of the possessions they weren’t allowed to take upon their termination, but mostly by the need to somehow seek vengeance on those they feel wronged them, the disgruntled collective return under cover of the dark.

Soon enough they can see that in that week absent from the place, Mister E, his hordes of workers, and most likely those who elected to remain in the new Ringmaster’s employ have not been idle. Nothing remains of the rustic old, tranquil place of employment they were all used to. In its place is a massive sprawling monstrosity of a creation, a modern Carnival behemoth still in the process of being completely set up. Surrounded by towering chain-link fences topped by barbed wire, this giant entity dwarfs the tiny Classic Carnival it has eclipsed.

This is the Carnival of Chaos, and what they’re about to discover inside is going to change a simple revenge mission into an escalating nightmare of terrifying proportions, where it isn’t just the eight of them being dragged into a slipstream of violence, pain, perversion and unimaginable horror, but many others as well.

 

Carnival of Chaos (which is part of the massive Project 26 creation from J. Ellington Ashton Press) is available now in paperback and Kindle, part one of a two book tale which culminates with Festival of the Flesh (available in two weeks).

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Threatened, assaulted, and ultimately dismissed from their jobs, a group of disgruntled ex-carnival workers swear vengeance on the sinister new boss responsible for their state. Coercing even the most unwilling amongst them to join in on the revenge mission, the collective wait, biding their time before returning to the carnival grounds under cover of darkness. Plans for regaining lost property and enacting some simple retribution swiftly turn deadly when a series of grisly discoveries are made.

Now, having unwittingly involved themselves in something insidious and monstrous, this miscreant collective are being hunted by a relentless force. As more people are sucked into the maelstrom, innocent and nefarious alike, they’re all about to find themselves on an escalating nightmare journey into a brutal world of unimaginable pain and perversion.

Snaring a ticket to this carnival doesn’t ensure fun and frivolity. It only ensures carnage and chaos. Survival is not guaranteed.

http://smarturl.it/carnivalofchaos